Tag: hooptober 2021

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31 Days of Horror Cinema

Viy (1967): 31 Days of Horror 2021

Nature of Shame:
Unwatched Severin Blu-ray

Hooptober ’21 Challenge Checklist:
Decade: 1980’s
Asian Cinema
Country: Russia

Viy Elevator Pitch

Three wild nights with sexy witch shenanigans and a “vampire” payoff.

Idle Viy Musings

Three seminary students get lost at night, stumble upon a farmhouse and ask the old lady for shelter. She agrees, on the condition that they sleep in different parts of her barn. She comes to one, Khoma, in the middle of the night and attempts to seduce him. He refuses — because she’s an old bag. Instead she puts a spell on him, climbs on his back and rides him around the countryside like a horse — a flying horse! When they land, he snaps out of the spell and beats the woman with a stick. As she’s dying to transforms into a beautiful young woman. He runs off to seek solace from his Rector who informs him that a rich merchant has a dying daughter — the woman he beat — and he’s asked for him by name to pray for her soul over the course of three nights. Else unstated severe punishment brought down from above.

There’s a lush and fertile weirdness running throughout Viy, directed by Konstantin Yershov and Georgi Kropachyov, that feels uniquely Russian — paced and rendered in a way that feels entirely other to our Western sensibilities. The specific color palette (assuming proper color timing on this disc) and the special effects by Aleksandr Ptushko, reserved for the film’s grand finale, surprised and delighted, a festive gathering of low-fi practical effects and rubber-suited weirdness.

Richard Stanley’s well-informed history of the vampire and the Russian concept of vampirism is an essential companion extra. The 22-minute interview with Stanley explains the folklore and deepens the film’s impact. Highly recommended viewing. Viy will also appear on the upcoming Severin folk horror box set.

Final Thoughts

Viy just became an early front-runner in my favorite Hooptober 21 first-watch. A wicked/sexy witch, three-crazy nights, and delightful practical effects made this simple story a weird and wonderful exercise in restrained horror showmanship.

I watched Viy on a Severin Blu-ray.

2021 @CinemaShame / #Hooptober Progress

#1. Gamera, the Giant Monster (1965) / #2. The Blood on Satan’s Claw (1971) / #3. Bewitched (1981) / #4. Viy (1967)

James David Patrick currently writes for DVD Netflix. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on Twitter, Instagram, and Facebook.

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31 Days of Horror Cinema

Bewitched (1981): 31 Days of Horror 2021

Nature of Shame:
Unwatched 88 Films Blu-ray

Hooptober ’21 Challenge Checklist:
Decade: 1980’s
Asian Cinema
Country: Hong Kong

BEWITCHED ELEVATOR PITCH

Shaw Bros. sponsored PSA about the dangers of casual sex. Complete with super-earnest post-movie title card. But really gooey.

IDLE BEWITCHED MUSINGS

This one doesn’t make a lot of sense, so I won’t spend much time trying to make sense out of any of it. It opens with a guy defending himself against the charge that he killed his daughter. His excuse? She was possessed by evil spirits and had to hammer a spike into her head to end her suffering and save his own life. You see, he traveled to Thailand, hooked up with a long-lashed honey and contracted a mad case of Gong Tauuuuuu! He’s been cursed and evil things happen all around him. His daughter trying to kill him just happened to be one of those evil things.

The mad wizard monk of Bewitched performs one of his many rituals.

Our protagonist, a very lazy detective, heads off to Thailand to investigate the man’s claims where he also contracts a mean case of Gong Tauuuuuuu! Gong Tau is less a hex and more of a voodoo monk that pulls the strings from a safe, unnamed location that cost very few of the Shaw Bros. precious dollars to secure for long days of filming this wizard monk voodoo guy relishing the pronunciation of various hexes like “Hairy chest!” and “Strangling spell” with Chyron generated titles beneath.

Things get really wacky when the detective finds a good crazy voodoo monk to do battle with the evil monk. For 90% of this 45-minute battle they’re not even in the same room and they can’t even troll each other on the Internet. They’re squaring off remotely with mind powers and incantations. It’s not until they confront each other (with one extra wandering through the airport like she got lost on the way to craft services) that they come face-to-face.

Elsewhere you’ve got worm vomiting, maggot eating, pregnant demon ladies with goopy yellow snot, bursting bubble blisters… the list goes on and on. Thankfully this ooze and goo and GONG TAU! fest clocks in 101 minutes. Any more and GONG TAUUUUUU! might have worn out its welcome.

FINAL THOUGHTS

While I can’t say that Bewitched bewitched me (sorry about that), it did lead me to Kuei Chih-Hung’s follow up feature, The Boxer’s Omen (1983), which amplifies all the crazy I enjoyed in Bewitched. Maybe I’ll even write about it. Until then, stay out of Thailand and if you must go to Thailand, please keep it in your pants… because GONG TAU.

88 Films Bewitched Blu-ray

I watched Bewitched on an 88 Films Blu-ray.

2021 @CinemaShame / #Hooptober Progress

#1. Gamera, the Giant Monster (1965) / #2. The Blood on Satan’s Claw (1971) / #3. Bewitched (1981)

James David Patrick currently writes for DVD Netflix. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on Twitter, Instagram, and Facebook.

Categories
31 Days of Horror Cinema

Gamera, the Giant Monster (1965): 31 Days of Horror 2021

Nature of Shame:
Massive Amazing Stupendous Unwatched Gamera Arrow Box Set

Hooptober ’21 Challenge Checklist:
Decade: 1960’s
Kaiju!

 

GAMERA, THE GIANT MONSTER ELEVATOR PITCH

[ahem]…it’s GODZILLA, except… wait for it… HE’S A TURTLE…

…

And he flies and spins and fire comes out of his mouth. Plus some other weird places on his body because nuclear bombs and planes and war are bad! REAL BAD.

GAMERA THOUGHTS

My first viewing of an un-MST3K’d Gamera movie. Even during the riffs, Joel and the bots didn’t set out to undercut the movie’s relative quality. In my opinion, they’re not among the best Mystery Science Theater riffs because they’re more hangout-inspired rather than a celebration of the joys of bad cinema. The same observations could be made about any non-Godzilla (1954) kaiju film that strains its budget to an obvious breaking point. More on this later.

Gamera, rising from the Arctic

While watching these low-budget kaiju offerings, it’s easy to slip into a childlike frame-of-mind. The obvious model-work (and destruction) and person-in-a-rubber-suit costume party doesn’t lend itself to mockery so much as isn’t it cool they made a movie like this? You can see clearly how the film comes together absent the moviemaking magic allowed by money to make those models and costumes less obvious.

It probably benefitted the MST3K riff that the version used was the 1985 Sandy Frank-commissioned release featuring an atrocious English dub and new soundtrack.

I love watching these movies with my youngest daughter (now 9yo), who thinks all of the kaiju are just adorable and has started to identify some of the filmmaking and special effects techniques. Enjoying low-budget monster knockoffs like Gamera isn’t about ignoring the shortcomings; it’s more about embracing the artifice as its presented. We watched through a handful of offerings on the Criterion Godzilla set last year, so she’s primed for everything Gamera has to offer.

GAMERA REVIEW

In 1964 Dalei Film studio head Masaichi Nagata wanted to piggyback the success of both Toho’s Godzilla (obviously) and Alfred Hitchcock’s The Birds (not as obvious?) by creating a “Nezura the Giant Horde Beast” franchise and replace birds with mammoth-sized man-eating rats created by a revolutionary high-calorie food source that causes mutations. The real Japanese health department shut down production because the flea-infested wild brown rats used for the film escaped the set and had the potential to spread disease. The climax? Neutralization through rat cannibalism.

Nagata conceived Gamera as his Nezura replacement. Due to an extra-tight budget and schedule, the production used outdated equipment and faulty props and faced the wrath of other Japanese film producers for its unrepentant clone of Godzilla right down to its nuclear anxieties. This time, however, an American jet shoots down an unknown, unidentified aircraft in Arctic waters. The blast awakens a dormant prehistoric tusked turtle that an Eskimo chief identifies as Gamera. “Action” shifts back to Japan where the story localizes on a kid whose turtle obsession is threatening to derail his studies.

Anytime a monster film focuses on the kid, I have concerns. Toshio (played by Yoshiro Uchida). Perhaps because he’s mugging in Japanese I’m less bothered by this tendency to put himself in irresponsible situations. Goshdarnit he’s gonna stand between that turtle and the collective forces of the U.S. and Japanese military to ensure its safety. A few moments of sisterly hand-wringing aside, everyone seems okay with this crusade even as little Toshio stows away to the frontlines of Gamera battle.

FINAL THOUGHTS

Gamera lands on that elusive intersection of corny and cool. Outdated effects, hokey dialogue, and blatant Godzilla lifts don’t betray the film’s independent spirit. A fire-spitting turtle that hurtles through space and destroys Japan? What’s not to enjoy about that? It’s not great or original or Godzilla — it’s just Gamera.

Gamera, the Giant Monster is available on a now OOP Arrow Films Blu-ray box-set featuring 12 Gamera films. Arrow subsequently broke up the massive box into two smaller sets: Gamera: The Showa Era Collection and Gamera: The Heisei Era Collection. 

2021 @CinemaShame / #Hooptober Progress

#1. Gamera, the Giant Monster

James David Patrick currently writes for DVD Netflix. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on Twitter, Instagram, and Facebook.