Gamera, the Giant Monster (1965): 31 Days of Horror 2021

Nature of Shame:
Massive Amazing Stupendous Unwatched Gamera Arrow Box Set

Hooptober ’21 Challenge Checklist:
Decade: 1960’s
Kaiju!

 

GAMERA, THE GIANT MONSTER ELEVATOR PITCH

[ahem]…it’s GODZILLA, except… wait for it… HE’S A TURTLE…

And he flies and spins and fire comes out of his mouth. Plus some other weird places on his body because nuclear bombs and planes and war are bad! REAL BAD.

GAMERA THOUGHTS

My first viewing of an un-MST3K’d Gamera movie. Even during the riffs, Joel and the bots didn’t set out to undercut the movie’s relative quality. In my opinion, they’re not among the best Mystery Science Theater riffs because they’re more hangout-inspired rather than a celebration of the joys of bad cinema. The same observations could be made about any non-Godzilla (1954) kaiju film that strains its budget to an obvious breaking point. More on this later.

Gamera, rising from the Arctic

While watching these low-budget kaiju offerings, it’s easy to slip into a childlike frame-of-mind. The obvious model-work (and destruction) and person-in-a-rubber-suit costume party doesn’t lend itself to mockery so much as isn’t it cool they made a movie like this? You can see clearly how the film comes together absent the moviemaking magic allowed by money to make those models and costumes less obvious.

It probably benefitted the MST3K riff that the version used was the 1985 Sandy Frank-commissioned release featuring an atrocious English dub and new soundtrack.

I love watching these movies with my youngest daughter (now 9yo), who thinks all of the kaiju are just adorable and has started to identify some of the filmmaking and special effects techniques. Enjoying low-budget monster knockoffs like Gamera isn’t about ignoring the shortcomings; it’s more about embracing the artifice as its presented. We watched through a handful of offerings on the Criterion Godzilla set last year, so she’s primed for everything Gamera has to offer.

GAMERA REVIEW

In 1964 Dalei Film studio head Masaichi Nagata wanted to piggyback the success of both Toho’s Godzilla (obviously) and Alfred Hitchcock’s The Birds (not as obvious?) by creating a “Nezura the Giant Horde Beast” franchise and replace birds with mammoth-sized man-eating rats created by a revolutionary high-calorie food source that causes mutations. The real Japanese health department shut down production because the flea-infested wild brown rats used for the film escaped the set and had the potential to spread disease. The climax? Neutralization through rat cannibalism.

Nagata conceived Gamera as his Nezura replacement. Due to an extra-tight budget and schedule, the production used outdated equipment and faulty props and faced the wrath of other Japanese film producers for its unrepentant clone of Godzilla right down to its nuclear anxieties. This time, however, an American jet shoots down an unknown, unidentified aircraft in Arctic waters. The blast awakens a dormant prehistoric tusked turtle that an Eskimo chief identifies as Gamera. “Action” shifts back to Japan where the story localizes on a kid whose turtle obsession is threatening to derail his studies.

Anytime a monster film focuses on the kid, I have concerns. Toshio (played by Yoshiro Uchida). Perhaps because he’s mugging in Japanese I’m less bothered by this tendency to put himself in irresponsible situations. Goshdarnit he’s gonna stand between that turtle and the collective forces of the U.S. and Japanese military to ensure its safety. A few moments of sisterly hand-wringing aside, everyone seems okay with this crusade even as little Toshio stows away to the frontlines of Gamera battle.

FINAL THOUGHTS

Gamera lands on that elusive intersection of corny and cool. Outdated effects, hokey dialogue, and blatant Godzilla lifts don’t betray the film’s independent spirit. A fire-spitting turtle that hurtles through space and destroys Japan? What’s not to enjoy about that? It’s not great or original or Godzilla — it’s just Gamera.

Gamera, the Giant Monster is available on a now OOP Arrow Films Blu-ray box-set featuring 12 Gamera films. Arrow subsequently broke up the massive box into two smaller sets: Gamera: The Showa Era Collection and Gamera: The Heisei Era Collection. 

2021 @CinemaShame / #Hooptober Progress

#1. Gamera, the Giant Monster

James David Patrick currently writes for DVD Netflix. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on TwitterInstagram, and Facebook.

Hooptober / 31 Days of Horror 2021

Hooptober / 31 Days of Horror 2021

Prior Hooptober/31 Days of Horror Lists on Letterboxd.com: 2015 / 2016 / 2017 / 2018 / 2019 

After taking a COVID-break last year (8yo being remote-schooled next to me would have received a very interesting brand of education based on some Jean Rollin I’d planned to watch), I’m refreshed and ready to Hoop it up in 2021. Not familiar with Hooptober? Here’s a primer. The Cinemonster started Hooptober on Letterboxd.com as a way for horror fans to come together during this holiest time of year. The rules of engagement? Watch 31+ horror movies during the month of October (starting September 15th because we’re adults and we can do what we want) and write a review on Letterboxd.com for each and every flick. I’ll be documenting my progress here and on Letterboxd. More words here. Short bits there. Each year The Cinemonster comes up with some specific parameters to direct viewing and highlight filmmakers and subgenres.

I always attempt to watch as many new-to-me movies as possible. Cinema Shame demands it. I must broaden my horizons… even if they’re the more unsavory horizons. It makes me a better and more respectable human to watch as much Eurotrash as possible. I will assault innocent bystanders with conversations about Jess Franco and Sergio Martino. Inevitably, some old favorites sneak into the mix because goddammit, yes, I want to watch An American Werewolf in London again, okay?!?

CINEMONSTER’S 2021 HOOPTOBER 8 GUIDELINES:

6 countries
8 decades
2 folk horror
4 films from 1981
2 films from your birth year
2 haunted house films
The worst Part 2 that you haven’t seen and can access. (I realize that this will take a little work)
1 film set in the woods
1 Kaiju or Kong film (not the new K v. G)
2 Hammer films
3 films with a person of color as director or lead. (excluding Asian)
3 Asian horror films.

And 1 Tobe Hooper Films (There must ALWAYS be a Hooper film)

***FOR THOSE THAT LIKE TO DO EXTRA WORK: WATCH JD’s Revenge, The Skull and The Scooby Doo Project

30Hz/CINEMA SHAME 31 DAYS OF HORROR 2021 ROSTER

Prior #31DaysOfHorror Shame-a-thons: 2013 | 2014 | 2015 Part 1 | 2015 Part 2 | 2016 | 2017 | 20182019

*rewatch

American Werewolf in London (1981)*
Attack of the Killer Tomatoes (1978)
The Black Cat (1981)
The Blood on Satan’s Claw (1971)
Bones (2001)
The Boogens (1981)
Cat People (1942)*
The Curse of Frankenstein (1957)*
The Curse of the Cat People (1944)
Dark Night of the Scarecrow (1981)
The Fly II (1989)
Gamera, the Giant Monster (1965)*
Ganja & Hess (1973)
Ghost Story (1981)
The Girl With All The Gifts (2016)
The Howling (1981)*
The Howling II (1985)
Invaders from Mars (1986)
Lake of the Dead (1958)
The Legend of the 7 Golden Vampires (1974)
Murder Obsession (1981)
Mystics in Bali (1981)
The Old Dark House (1932)*
Patrick (1978)
The Pit (1981)
Suddenly in the Dark (1981)
Tales from the Crypt: Demon Night (1995)*
Thirst (2009)
Ugetsu (1953)
Venom (1981)
Viy (1967)
Wolfen (1981)

MY UP-TO-DATE HOOPTOBER ROSTER ON LETTERBOXD

What’s your list? What’s your plan for horror movie watching this year? If you’re keeping a list or participating in the Hooptober challenge, I’ll link to your Letterboxd list or blog in the header for my posts. Just leave a note with a link in these comments. Together we shall overcome… or we’ll be the losers knocked off in the first act to establish the killer’s indomitable menace. It’s more comforting to know you’re not doing this alone.

Hooptober Roundup: Double Time Recap

Hooptober Roundup: Double Time Recap

Between a glut of paying gigs, vacation, and holidays I’ve managed to stretch Hooptober into the Christmas season. That’s a first. Nobody’s reading because we’ve all moved on to the traditional “Die Hard is/isn’t a Christmas Movie” debate. That’s fine, too. I made a commitment to watch and review 31+ Horror Movies for the month of October. I’ve watched them all. Now here are the remaining reviews, told in hurried, one-paragraph fashion to satisfy your ho-ho-horror cravings.

#19. The Mummy (1932) – Karl Freund

the mummy 1932

Karl Freund’s wrangles light and shadow like he’s applying it with a paint brush. The love story that traverses multiple lifetimes gives this one its dramatic weight and Karloff’s undead love monster his humanizing baggage. I’d recommend The Mummy in any master class about using cinematography to cure all narrative ills.

 

#20. The Bride of Frankenstein (1935) – James Whale

Elsa Lanchester in The Bride of Frankenstein

Elsa Lanchester as The Monster’s Bride in The Bride of Frankenstein (1935).

I’ve always thought that the people who don’t appreciate James Whale’s The Bride of Frankenstein don’t see the humor in The Bride of Frankenstein. It’s a tale skillfully told — but it’s Whale’s ability to comment on the genre from within (something he did more overtly in The Old Dark House) that makes the film such a brisk romp.

 

#21. The Mummy’s Hand (1940) – Christy Cabanne

Hooptober The Mummy's Hand (1940)

Universal’s Mummy series loved to cut narrative corners. This constant familiarity allows the viewer to embrace each film’s eccentricities or dismiss them entirely as hack regurgitations without creative advancement. The Mummy’s Hand borrows the setup and footage from Freund’s 1932 effort but adds enough padding to make it feel fresh (enough). Easy to enjoy. Easy to forget tomorrow.

 

#22. Captive Wild Woman (1943) – Edward Dmytryk

Aquanetta in Captive Wild Woman (1943)

Aquanetta, mid-transformation, in Captive Wild Woman (1943)

The Universal well had clearly run dry when they conjured this pathetic excuse to transform another human into another animal. But but but this time it’s a woman! The horror elements become secondary concerns. The movie spends an inordinate amount of time engaging in animal cruelty and disturbing racial connotations. If there were something here more worth watching we’d have something to discuss.

 

Liliane Montevecchi in The Living idol (1957)

Parisian-born Liliane Montevecchi thinks she sees Jaguars around every corner in The Living idol (1957)

#23. The Living Idol (1957) – Albert Lewin, Rene Cardona

Gorgeous-looking Aztecploitation, oozing in Technicolor and wide-format location cinematography, but lacking anything in the story department. A woman may or may not be the reincarnation of an Aztec princess and jaguars may or may not be coming for her. This loose remake of Lewton’s Cat People gives us just enough to keep watching but not enough to distract us from the backdrop. Co-directed by the Cuban-born Rene Cardona — a central figure in the Golden Age of Mexican Cinema.

 

#24. Four Flies on Grey Velvet (1971) – Dario Argento

Hooptober Four Flies on Grey Velvet (1971)

One of the few prime-era Argento holdouts on my viewing resume. Some wonderful imagery, visually inventive flourishes and a memorable Ennio Morricone score undermined by a predictable twist. I’m itching for another viewing despite its flaws.

 

#25. All the Colors of the Dark (1972) – Sergio Martino

Hooptober All the Colors of the Dark

Sergio Martino directed perhaps my favorite mindf#ck giallo Your Vice is a Locked Room and Only I Have the Key (also starring the perpetually vexing Edwige Fenech). I picked this up during the last Severin Black Friday sale and I’ve been waiting all year (for no especially good reason) to watch it during Hooptober 2019. Perpetually needy and terrified Edwige finds herself stuck in a mental state between fact and fiction, unable to escape the grasp of a Satanic rape cult. Don’t attempt to strangle narrative from this psychosexual satanic panic film told through the perspective of an unreliable narrator. Just let the misdirection wash over you like Bruno Nicolai’s score.

 

#26. Leptirica (1973) – ?or?e Kadijevi?

Hooptober Leptirica

Mirjana Nikolic as the “She-Butterfly” in Djordje Kadijevic’s Leptirica (1973)

Just another made-for-TV Serbian folk horror film. If you’ve seen one, you’ve seen them all. A vampire-like menace attacks people in and around an old mill. No explanations given. Awkward light humor and a haunting and singular score. A few truly memorable images give Leptirica aka The She-Butterfly her bite.

 

#27. A Nightmare on Elm Street 4: The Dream Master (1988) – Renny Harlin

Hooptober A Nightmare on Elm Street 4

I feel like “perfectly capable” is a solid recommendation for any horror sequel with a number greater than or equal to 4. In this entry Freddy Krueger becomes a nightmare wielding clown, but still retains the menace that made the original such an effective horror movie. What The Dream Master lacks in thrills, it makes up for with inventive kills and set pieces. Lisa Wilcox gives us an engaging protagonist that helps smooth over some of the hackneyed plotting.

 

#28. Vampire’s Kiss (1989) – Robert Bierman

Nicolas Cage in Vampire's Kiss (1989)

Nicolas Cage going full bonkers in Vampire’s Kiss (1989)

What the hell is Nic Cage doing? What is this accent? What is this laugh? It’s almost as bizarre as his creative choices in Peggy Sue Got Married — but that was an otherwise straight movie. This? Bizarre performance, perversely entertaining movie. Crazy Nic eating cockroaches and chasing pigeons with fake vampire teeth. The movie plays so dumb you don’t see final narrative shift coming. Vampire’s Kiss gets “smart” — and works because Cage’s highwire histrionics provides the necessary smoke and mirrors.

 

#29. A Nightmare on Elm Street 5: The Dream Child (1989) – Stephen Hopkins

Hooptober A Nightmare on Elm Street 5

Hopkins gives this entry some flair, but the series is running on fumes. The film’s set pieces have become completely disengaged. Feel free to admire the creativity, but these sequences fail to contribute horror or forward momentum. It all feels watchable but perfunctory.

 

#30. The Church (1989) – Michele Soavi

hooptober the church (1989)

Demon hankypanky in Michele Soavi’s The Church (1989)

Overdue rewatch of a Michele Soavi classic and unofficial third act of Lamberto Bava’s Demons. Demon sex, possession, creepy gothic imagery, Keith Emerson score, young Asia Argento, and choice bits of goo. Always recommended.

 

#31. Popcorn (1991) – Mark Herrier

Hooptober Popcorn (1991)

Tom Villard tormenting Jill Schoelen in Popcorn (1991).

Would-be cult classic riffs on the same gag for 90 minutes. The homage to William Castle stunts makes for fun viewing, but it too-often wanders into (uninspired) traditional slasher territory. The best bits take place in the films within the film that make up the all-night horror marathon. As they were shot by the film’s original director, Alan Ormsby, I can’t help but think he might have had a better grasp of the offbeat tone and pacing. That said, Herrier shepherded the film to completion or maybe it wouldn’t have existed at all.

 

#32. Innocent Blood (1992) – John Landis

Robert Loggia Innocent Blood

Robert Loggia in John Landis’ Innocent Blood (1992)

My favorite part of Innocent Blood takes place when a car chase enters the Ft. Pitt tunnel but comes out on the south side of the Liberty. Robert Loggia sucking the scenery of blood as a vampire gangster makes this a winner.

 

#33. Behind the Mask: The Rise of Leslie Vernon (2006) – Scott Glosserman

Nathan Baesel in Behind the Mask: The Rise of Leslie Vernon (2006)

Nathan Baesel in Behind the Mask: The Rise of Leslie Vernon (2006)

I liked Cabin in the Woods, but this meta-horror movie actually dissects the genre *and* manages to sustain a consistently unsettling tone before unleashing its own effective slasher film. It’s about time I got around to this one considering The Cinemonster and I discussed this on the Cinema Shame podcast two years ago.

 

#34. Horror Noire (2019) – Xavier Burgin

horror noire (2019)

Straightforward, talking-heads doc about the Black American connections to the horror genre (and Hollywood as a whole). Essential viewing for horror fans — but I’m not sure it captivates the average moviewatcher without a pre-existing love for the genre.

2019 @CinemaShame / #Hooptober FINAL:

#1. Shocker (1989) // #2. Etoile (1989) // #3. The Phantom of the Opera (1989) // #4. Blacula (1972) // #5. Scream Blacula Scream (1973) // #6. Jaws: The Revenge (1987) // #7. Blood Bath (1966) // #8. Friday the 13th Part V (1985) // #9. Friday the 13th Part VI (1986) // #10. Friday the 13th Part VII (1988) // #11. Dracula: Prince of Darkness (1966) // #12. Pet Sematary (1989) // #13. Eaten Alive (1976) // #14. Friday the 13th Part VIII (1989) // #15. A Bucket of Blood (1959) // #16. The Creature from the Black Lagoon (1954) // #17. Revenge of the Creature (1955) // #18. The Creature Walks Among Us // #19. The Mummy (1932) // #20. The Bride of Frankenstein (1935) // #21. The Mummy’s Hand (1940) // #22. Captive Wild Woman (1943) // #23. The Living Idol (1957) // #24. Four Flies on Grey Velvet (1971) // #25. All the Colors of the Dark (1973) // #26. Leptirica // #27. A Nightmare on Elm Street 4: The Dream Master // #28. Vampire’s Kiss (1989) // #29. A Nightmare on Elm Street 5: The Dream Child // #30. The Church (1989) // #31. Popcorn (1991) // #32. Innocent Blood (1992) // #33. Behind the Mask: The Rise of Leslie Vernon (2006) // #34. Horror Noire (2019)

 

 

The Creature From the Black Lagoon: 31 Days of Horror

The Creature From the Black Lagoon: 31 Days of Horror

creature from the black lagoon poster#16. The Creature From the Black Lagoon (1954)

Nature of Shame:
Unwatched Universal Blu-ray set

Hooptober Challenge Checklist:
Decade: 1950’s
Pre-1970
Universal horror

Last year I began hosting spooky outdoor movies around Halloween and inviting my daughters’ friends and their families. This year we projected The Creature From the Black Lagoon. Would it go over as well as last year’s screening of The Blob (1958)?

For me, it was my first Creature viewing in nearly thirty years.

Sidenote: Now begins the furious, get-it-done approach to Hooptober/31 Days of Horror review blurbing. 

‘The Creature From the Black Lagoon’ Elevator Pitch

An expedition to the Amazon hopes to find more fossilized evidence of the link between man and fish.

the-creature-swims-in-the-lagoon

The underwater spectacle of The Creature From the Black Lagoon must have been a miraculous moviegoing experience.

Watching Creature With Kids and Their Adults

An interesting phenomenon developed halfway through the film. Kids were cheering for the monster, and the adults (who hadn’t seen it) were worrying more about the archaeologists who were trying to kill the creature.

Like most of the classic Universal horror films, the studio tapped into a unique sense of pathos for the “monster.” The monster became the aggressor when it felt threatened by the aliens who’d invaded its secluded home along the Amazon river.

The simple premise played well with the kids who kept cheering for the Creature as he dispatched one unlikable human after another.

Final ‘The Creature from the Black Lagoon’ Thoughts

Creature never become an essential for me in the same way as the Mummy or the Invisible Man. This viewing allowed me to focus on the gorgeous underwater cinematography and balletic swimming sequences that must have thrilled audiences in 1954. As a technical achievement The Creature From the Black Lagoon is a marvel of B-movie entertainment.

 

 

Creature from the Black Lagoon BlurayThe Creature From the Black Lagoon is available on Blu-ray from Universal along with its two sequels on the Complete Legacy Collection

2019 @CinemaShame / #Hooptober Progress

#1. Shocker (1989) // #2. Etoile (1989) // #3. The Phantom of the Opera (1989) // #4. Blacula (1972) // #5. Scream Blacula Scream (1973) // #6. Jaws: The Revenge (1987) // #7. Blood Bath (1966) // #8. Friday the 13th Part V (1985) // #9. Friday the 13th Part VI (1986) // #10. Friday the 13th Part VII (1988) // #11. Dracula: Prince of Darkness (1966) // #12. Pet Sematary (1989) // #13. Eaten Alive (1976) // #14. Friday the 13th Part VIII (1989) // #15. A Bucket of Blood (1959) // #16. The Creature from the Black Lagoon (1954) // #17. Revenge of the Creature (1955) / #18. The Creature Walks Among Us

James David Patrick is a writer. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on TwitterInstagram, and Facebook.

 

A Bucket of Blood: 31 Days of Horror

A Bucket of Blood: 31 Days of Horror

#15. A Bucket of Blood (1959)

a bucket of blood movie posterNature of Shame:
Beatnik horror/comedy? Yes, please.

Hooptober Challenge Checklist:
Decade: 1950’s
Pre-1970
A Dick Miller jam

I’ve hit that mid-point. I no longer care about writing these reviews. This is a shame because I’ve watched all the damn Hooptober movies, but I’ve only logged half of my reviews. I should care less, write less and just finish. Eventually, you’ll probably get the totally half-assed rundown (fundown?) of everything else I watched this past October, but I haven’t yet reached that point. A Bucket of Blood arrived from Netflix DVD just in time for my Crystal Lake palette cleanse. Anything but Jason, please and thank you.

I don’t mean to spoil this review entirely, but as soon as I finished A Bucket of Blood, I went ahead and ordered the Olive Films Signature Edition Blu-ray. Either it pushed all the right buttons or I was destined to fall in love with the next movie that wasn’t about a machete wielding force of supernatural evil.

A Bucket of Blood from Netflix DVD

‘A Bucket of Blood’ Elevator Pitch

Dig this, man. This square cat, a busboy at a swingin’ cafe, eyeballs the scene and the chicks, but he’ll never cop a feel. After he accidentally wigs out and kills a stoolie pig he becomes made in the shade after turning the dead cop into a sculpture. After he gets hip to the scene, he needs to feed the beast to maintain his status as a certifiable Daddy-o. 

a bucket of blood

Walter Paisley (Dick Miller) unveils his final masterpiece.

‘Sculpting With Dead Things’ Doesn’t Have the Same Ring To It

Produced and directed by Roger Corman, A Bucket of Blood looks like a movie made for $50,000 in five days. The production even shared sets with Corman’s Little Shop of Horrors. Viewers unacquainted with Roger Corman’s oeuvre might consider this a detriment to the film’s production or entertainment values. There’s a distinct different between “cheap” and “crap.” “Crap” can come in any budget. Just as cheap can come in any flavor.

The movies Roger Corman made with screenwriter Charles B. Griffith, marked a new direction for the producer who’d never before dabbled in comedy. A Bucket of Blood not only satirizes Corman’s own filmography and the illogical world of art, but also the teen films of the era. Unlike many of those other beatnik teen films of the 1950’s, Blood doesn’t feel like a mimeographed movie made about kids by adults; it feels like a reasonable facsimile of the culture made without contempt.

a bucket of blood (1959)

Walter’s ascendency to king of the hepcats coincides with his newfound talent for “sculpting.”

At only 66 minutes, A Bucket of Blood‘s barely a main course. Corman’s purposeful pursuit of story in the name of efficiency eliminates the fat and focuses on our busboy’s accidental ascendance and ultimately fall from grace. AIP had given Corman the budget, a shooting schedule, and leftover sets from Diary of a Teenage War Bride (1959). Corman and Griffith concocted premise after a night of drifting in and out of beatnik coffeehouses. They married the culture with 1933’s Mystery of the Wax Museum and begat A Bucket of Blood.

Final ‘A Bucket of Blood’ Thoughts

Rapid-fire fun with a thoroughly engaging lead performance. Roger Corman’s low-budget zinger is the perfect #31DaysofHorror entry when fatigue sets in after too many soulless slashers.

The performances, particularly that of Dick Miller, carry the film’s comedic tone without resorting to redundancies like winking at the audience. I never thought I’d use the word measured to describe a Roger Corman production, but A Bucket of Blood moves forward at a measured pace that maintains consistent humor and its pithy commentary on the New York art culture.

 

 

A Bucket of Blood is available on Blu-ray from Olive Films.A Bucket of Blood Blu-ray from Olive Films

2019 @CinemaShame / #Hooptober Progress

#1. Shocker (1989) // #2. Etoile (1989) // #3. The Phantom of the Opera (1989) // #4. Blacula (1972) // #5. Scream Blacula Scream (1973) // #6. Jaws: The Revenge (1987) // #7. Blood Bath (1966) // #8. Friday the 13th Part V (1985) // #9. Friday the 13th Part VI (1986) // #10. Friday the 13th Part VII (1988) // #11. Dracula: Prince of Darkness (1966) // #12. Pet Sematary (1989) // #13. Eaten Alive (1976) // #14. Friday the 13th Part VIII (1989) // #15. A Bucket of Blood (1959)

James David Patrick is a writer. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on TwitterInstagram, and Facebook.

Disclaimer: I earn rewards from DVD.Netflix.com, which has thousands of movies to choose from, many that you won’t find on streaming services. I do this because the availability of physical media is important. The popular streaming notion of “everything available all the time” is a myth. We are always our own best curators. #PhysicalMedia #DVDNation #ad

Friday the 13th Part VIII (1989): 31 Days of Horror

Friday the 13th Part VIII (1989): 31 Days of Horror

#14. Friday the 13th Part VIII (1989)

Friday the 13th Part VIII Jason Takes Manhattan posterNature of Shame:
YET ANOTHER UNSEEN FRIDAY THE 13TH. 

Hooptober Challenge Checklist:
Decade: 1980’s
#Watch1989

AT LAST. I’ve reached my goal. I had to watch through Part VIII to satisfy my personal requirements for my #Watch1989 marathon. (Thanks, DVD Netflix, for fueling this madness.) Huzzah. Calling this a pyrrhic victory would be generous. I spent 20 minutes at a bar struggling to differentiate between all 8 Friday the 13th movies. I had to rewind for some do-overs, but I hit my stride after the second pint of Imperial Stout.

friday the 13th part viii netflix dvd

‘Friday the 13th Part VIII – Jason Takes Manhattan’ Elevator Pitch

Right — lovely. So based on the title, Jason’s unleashed in Manhattan. What a wonderful premise! I can’t wait to hear more. 

Noooooo, no no no. Wait. This is even better. Jason’s stuck on board a high school party river cruise. Fish in a barrel!

Wait. So he’s not in New York City? 

Not until the very end! But trust me on this river cruise thing. It’ll be perfect. Die Hard on a river cruise! Except not Die Hard, but Friday the 13th!

Tell me one thing. Does Jason at least maul a boombox blasting rap music once he’s in New York City?

You know it!

Friday the 13th Jason Takes Manhattan skyline

Jason shakes his machete angrily at the skyline.

‘Jason Takes a Party Cruise’ Doesn’t Have the Same Ring To It

But then again, maybe “Jason Takes a Party Cruise” would have been appropriately reflective of how little Jason actually “takes” because it’s definitely not Manhattan. It also speaks to the dearth of creativity found in this eighth entry in the series. While I’m no apologist, I also can’t abide the critics who lament a rapid and steady decline of Friday the 13th from its glorious heights.

First of all, what glorious heights? And second of all, the original wasn’t well made nor was it all that entertaining. You want a solid slasher flick? Try Part II. If you want wild and entertaining, try Part VI. You want trashtastic? Part VII‘s got your number. If you’re a masochist, I recommend Part V.

If you’re looking at this series as a steady decline, you’re not actually watching the movies.

Reverting back to tired old teenage “types” and putting them aboard a party cruise for Jason to pick off one by one isn’t a bad premise. It at least tries to push the series beyond Crystal Lake. (If you’re a camper or vacationer aren’t you steering clear of that place by now?) Friday the 13th Part VIII seems content to go through the motions in the new and shiny locale that serves as a stand-in for invention.

Tom Caldecott and Jensen Daggett in Friday the 13th Part VIII

Jim (Tom Caldecott) and Rennie (Jensen Daggett) take on Jason in a nonsensical sewer throwdown.

The teenagers have no personality. Jason does Jason things. Worst of all, director Rob Heddon seems perfectly content to invoke a Freddy Krueger brand of illusionary, red herring dreamscape terror. Our “final girl” sees visions of young Jason around every corner. Heddon’s trying to humanize our inhuman evil, but it rings false because he does so in a way that invokes A Nightmare on Elm Street and concedes that Jason’s run out of momentum.

In Friday the 13th Part VIII Jason Takes Manhattan -- or does he?

In Friday the 13th Part VIII Jason Takes Manhattan — or maybe just a souvenir, like a I Heart NY t-shit.

Final ‘Friday the 13th Part VIII’ Thoughts

By the time Jason actually makes it to Manhattan, there’s no saving this movie. We’re only treated to this one image that hints at the promise of a movie called Jason Takes Manhattan. There’s no tension, no thrills, and no surprises. It’s a 100-minute slog that wears out its welcome after the first 30 and Jason doesn’t even sniff the ripe garbage of New York City until the one-hour mark.

 

 

friday the 13th blu-rayFriday the 13th Part VIII is available on Blu-ray and DVD.

2019 @CinemaShame / #Hooptober Progress

#1. Shocker (1989) // #2. Etoile (1989) // #3. The Phantom of the Opera (1989) // #4. Blacula (1972) // #5. Scream Blacula Scream (1973) // #6. Jaws: The Revenge (1987) // #7. Blood Bath (1966) // #8. Friday the 13th Part V (1985) // #9. Friday the 13th Part VI (1986) // #10. Friday the 13th Part VII (1988) // #11. Dracula: Prince of Darkness (1966) // #12. Pet Sematary (1989) // #13. Eaten Alive (1976) // #14. Friday the 13th Part VIII (1989)

James David Patrick is a writer. He’s written just about everything at some point or another. Add whatever this is to that list. Follow his blog at www.thirtyhertzrumble.com and find him on TwitterInstagram, and Facebook.

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