Of [In]human Bond[age]: Skyfall and the Question of Spacetime

Taken at face value, however, James Bond’s cinematic escapades in international espionage are a collection of stories taken from the career of one man. Independent scholars John Griswold and Henry Chancellor have taken it upon themselves to assemble the original Ian Fleming novels into chronological order based on the events contained within. The films, however, prove more problematic. If the latest, excellent entry into Bond’s resume, Skyfall, has cemented one notion about chronology it is that the Bond films cannot be treated as isolated escapades along an individual timeline. Not even suspension of disbelief can atone for Skyfall’s temporal incongruities (even within the movie itself). Must we then consider the Bond series as multiple serials distinguished only by the actor playing the role? (Also made problematic by recurring, self-referential leitmotifs.) Or is it something more complicated, like the intertwining plots of a collection of linked short stories with no particular start or finish?

About Me

I’m a writer that consumes music, movies and media of all varieties. I have OCD in my blood, and therefore I collect. Much to the dismay of my wife (and eventually my daughters, I assume) I often seek shelter among this stuff, these collections, these Threadless t-shirts, books, movies, video …