Thirty Hertz Rumble
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The bugger is that I’m out of coffee. Losing apostrophes and adding spaces. My first attempt at a sentence haunts me on the back side of this paper. This physical dead tree in my typewriter. The sentence draws nearer every time I slide the platter back to its starting point on the far left side. “Jay Patrick is trying to type on a typewriter.”
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As my first experiment in typing on a typewriter I just wanted to get used to the keyboard and do a little bit of key pounding. I must admit this feels much like heavy lifting compared to typing on a computer. My hand has already begun to cramp from using long lost muscles that I perhaps never had. Another thing is remembering to hit a capital letter at the beginning of each sentence. Thanks auto-type. I couldn’t even remember to capitalize the first letter in a sentence about capitalizing the first letter. Also did everyone type with three fingers or was every pinky and ring finger so beefy that fatigue and/or strength never factored in typing a single letter? I’m picturing legions of secretaries and housewives with Hulk Hogan forearms because as we know from Mad Men no male ever typed a damn thing in his life.
A few weeks ago I bought a typewriter on eBay. I’ve been curious about the relationship between creativity and the tools with which we document that creativity. How would we change our thought process when composing in a journal versus typing on a computer or typing on a manual typewriter? Writers are superstitious beasts — not unlike professional athletes. So many unseen factors contribute to the ability to create and to perform. As much as anything that influences a writer’s ability to create, external sensory input remains the drug of choice. Ask any writer and they’ll likely have a list of musical artists or genres that encourages creativity. Writers write to music that inspires them, to help create mood and tone in their writing. I wish every book came with the soundtrack that inspired its creation. There’s perhaps no better way to get in the mind of a writer than to listen to the music that spurs them to create. Most often, I write to jazz — Art Blakey, Lee Morgan, Sonny Rollins are three of my go-to artists — or some melodic post-rock like Eluvium, Balmorhea or Signal Hill.