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31 Days of Horror Cinema

31 Days of Horror: The Haunting of Morella

the haunting of morella

31+ Days of Horror. 33 Horror Movies. 33 Reviews. Hooptober Challenges and Bonus Tasks.
View my 2016 Cinema Shame/Hoop-Tober Watch Pile Shame-a-thon Statement here.

Nature of Shame:
Unwatched Blu-ray. David McCallum deserves my time.

Hoop-tober Challenge Checklist:
Decade – 1990’s
Ode to The Witch


The Advance Word: Picked up The Haunting of Morella on Blu-ray due to David McCallum. Also, the story was based on the Edgar Allan Poe short story “Morella.”

david mccallum the haunting of morella

The value of Jim Wynorski’s The Haunting of Morella — outside David McCallum clearly providing the inspiration for Bill Pullman’s character in Zero Effect — lies in the film’s earnest attempt to emulate the gothic vistas and pacing of the Roger Corman’s Edgar Allan Poe adaptations. Sub McCallum in for Vincent Price. Bingo bango.

Morella opens with the execution of woman condemned as a witch (Nicole Eggert). Her husband looks on, at peace with the mob’s decision to burn her at the stake. We’re conditioned as seasoned cinematic viewers of movies featuring these “witch roasts” to side with the ill-fated witch. As the executioner reads from her list of misdeeds however, one can’t help but think that this witchy witch is most surely an unholy abomination and probably deserves what’s coming to her.

Before she dies, Morella promises to return. I believed her, personally. It was something about her screechy tone and/or Nicole Eggert’s acting skills (lack thereof). The rest of the villagers seem skeptical, which confuses me. If you’re going as far as burning her alive, surely you believe she’s got powers to do stuff! Plus, if she doesn’t return this is a five-minute movie, you pitchfork wielding, shortsighted simpletons! Fast forward 17 years and Morella attempts to inhabit the body of her teenage daughter Lenora (also Nicole Eggert!). Morella consumes innocent bystanders and servants in order to regain her mojo.

The Poe short story “Morella” concerns a wife dying in childbirth who swaps her soul for that of the child. I’m simplifying, of course. Even as someone who reads the Poe collected works rather frequently, I had to check back in with “Morella” because it’s just not Grade-A Poe material. Corman adapted “Morella” for one segment of his anthology film Tales of Terror, and to be honest, I don’t remember that segment of Corman’s film either. The Haunting of Morella does an admirable job weaving elements of the Poe story into this material.

About two-thirds of the way through this talky melange of boobs, blood and David McCallum in full Bill Pullman/Zero Effect mode, The Haunting of Morella proves itself handi-capable of adapting Poe. Elements of a good B-movie popped up here and there, but it’s nearly impossible to overcome a full cast of stiffs and underachievers. Poor David McCallum must anchor this film alone despite Nicole Eggert’s best efforts to act herself out of a Target-brand paper bag.

 

Technical Notes:

Let’s not kid ourselves. This movie arrives on Blu-ray because of the bounty of boobage. Maybe David McCallum encouraged a few others like me to buy this movie, but I don’t know how many David McCallum fans were knocking on Scorpion’s door begging for The Haunting of Morella in 1080p. With that in mind, The Haunting of Morella is an early 1990’s low budget picture. Wynorski used a variety of soft focus and high contrast cinematography. Whites glow with an intentionally eerie haze and backdrops blend into shades of black. Scratches and scuffs from the print remain. The scratches keep it real. Regarding the audio, at a handful of points during the film I noticed the sound cut out prematurely. The soundtrack left no trace memories.

the haunting of morella skull

Final Thoughts:

For Edgar Allan Poe and David McCallum completists. I’m not going to address any Nicole Eggert completists who might be reading this. As someone fascinated by the ways that Edgar Allan Poe has been adapted into cinema, I found academic value in the viewing experience.

30Hz Rating:

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the haunting of morella blu-rayBlu-ray Verdict: I can’t imagine revisiting this any time soon unless I decide to update that term paper I wrote in college about the impossibility of adapting Edgar Allan Poe for a visual medium. Sell pile. Sorry David ‘Zero Effect’ McCallum.

Availability: Scorpion’s The Haunting of Morella Limited Edition (1500 copies) is available at Screen Archives.

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Earlier 31 Days of Horror entries: #1. Vampyros Lesbos / #2. A Chinese Ghost Story

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Categories
31 Days of Horror Cinema

31 Days of Horror: A Chinese Ghost Story

31daysofhorror a chinese ghost story

31+ Days of Horror. 33 Horror Movies. 33 Reviews. Hooptober Challenges and Bonus Tasks.
View my 2016 Cinema Shame/Hoop-Tober Watch Pile Shame-a-thon Statement here.

Nature of Shame:
Unwatched Blu-ray. Long overdue rewatch. Shame prep for A Chinese Ghost Story 2.

Hoop-tober Challenge Checklist:
Decade – 1980’s
Country of Origin – Hong Kong


The Advance Word: I remember being transfixed by Joey Wong and the amazing zombie-skeleton things in the basement of the haunted temple that clearly came from the same brand of undead as the ones from Army of Darkness, but gooier.

Wa Mu combats evil forces in A Chinese Ghost Story (1987). Later he raps.
Wa Mu combats evil forces in A Chinese Ghost Story (1987). Later he raps while training.

A Chinese Ghost Story remains one of those fine examples of Hong Kong cinema that refuses to be defined by any specific genre. Blending elements of horror, romance, slapstick, musical and wuxia, the film probably has more in common with the Marx Brothers’ A Night at the Opera any specific genre. When you think director Ching Siu-Tung (best known perhaps as John Woo’s action choreographer/stunt director) has crammed everything imaginable into this tale of supernatural romance, his demon warrior played by Wa Mu, drops a rhyme while he trains for his final battle against the Tree Devil.

Beneath the pratfalls and hilariously ineffective gooey, undead basement zombies, lies an earnest supernatural romance. Leslie Cheung’s roving collection agent stumbles across a beautiful woman near an abandoned temple. She’s radiant. Flowing black hair. Sexy little anklet. Unfortunately she’s also quite dead… and a kept spirit who lures libidinous men to their demise. It seems the Tree Devil feeds on their souls. Further bad luck, she’s also been given to another malevolent spirit as his future bride. The deck’s stacked against our bumbling, good-intentioned hero.

The chaotic finale finds Leslie Cheung and Wa Mu battling demons and other various undead creatures to rescue the lovely (but still very dead) girl from her captors. More wuxia, magic, swordfighting and breaches of the ethereal plain in order to make her not quite so dead. Critics might fault A Chinese Ghost Story for working on so many different levels but only excelling at one — when it slows down the pace to explore the romance between Cheung and Wong.

I enjoyed rediscovering the absurdities all over again. Having not seen this film since college, the lingering memories were little more than individual images. When Wu Ma begins his rap, you’re either on board with the whole endeavor or checking out for good. The best comparison I can offer for this film is Army of Darkness with a heaping tablespoon of gooey romance.

 

Technical Notes:

Hong Kong cinema has never been known for taking especially good care of its film stock, but the Kam & Ronson Blu-ray looks rather sharp. The film always had a soft feel to it so it’ll likely never look better than this. A good amount of grain remains and there’s some nice contrast where the DVD looked uniformly dull. All of this is relative. If you’re familiar with Hong Kong cinema of the 1980’s you should already have reasonable expectations. The English subtitles are generally intelligible — only a few mental leaps of translation required. This is likely the best this film will ever look or sound.

a chinese ghost story

Final Thoughts:

Ever since I first viewed A Chinese Ghost Story as part of my college class in Hong Kong Cinema, I’ve considered a favorite. It even made an appearance in my Top 100 Films Ranking for a short time. At the time A Chinese Ghost Story blew me away due to the film’s total disregard for genre convention. Was it horror? Melodrama? Comedy? Clearly nobody makes movies like this over here. Now that I’ve taken off my Hong Kong cinema training wheels, I realize this method of genre-bending isn’t as unusual as I first thought. I still revere A Chinese Ghost Story for those moments where Ching Siu-Tung spits on narrative convention for the sake of pure entertainment.

30Hz Rating: Bloody Good

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A chinese ghost story blu-rayBlu-ray Verdict: I was happy to replace that old DVD and long may A Chinese Ghost Story anchor my shelf of Hong Kong cinema.

Availability: The All-Region HK Blu-ray is now Out of Print. A Japanese box set of the three films is available at YesAsia.com.

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31 Days of Horror Cinema

31 Days of Horror: Vampyros Lesbos

vampyros lesbos

Nature of Shame:
Blind-bought Blu-ray upon release in 2013. It remained unwatched.

Hoop-tober Challenge Checklist:
Decade – 1970’s
Country of Origin – Germany


The Advance Word: Jess Franco does Euro-Sleaze Bram Stoker’s Dracula with lesbians, eye-popping color and a sunbleached modern estate. The score is legendary, though I’ve never heard it. Soledad Miranda.

Soledad Miranda makes a gorgeous Ersatz Dracula in Jess Franco's Vampyros Lesbos (1971)
Soledad Miranda makes for a different kind of Dracula in Jess Franco’s Vampyros Lesbos (1971).

A black background. Two women, barely clothed, embrace. Soledad Miranda as Countess Nadine, circles and manipulates the other as a silent crowd watches, enraptured. The nature of the theatrics is unknown. But we, the viewer, are inserted into the same seats as the gathered masses. The women perform for us, embracing each other and our gaze, but they do not return it. Nadine is outside this moment, she is above it. The women have bared their bodies and by doing so are in complete control of us. We like the audience will bend to the Countess’ will.

So begins Jess Franco’s version of Bram Stoker’s Dracula. Linda, a patron of this performance, becomes enraptured with Nadine, pursues her. Nadine entertains her advances. The Countess in this scenario is, of course, Dracula. Linda, our Jonathan Harker. Linda visits Nadine’s beachfront estate, a home draped in bold colors — yellows, reds. The two sunbathe nude. Franco’s twisted the Dracula myth — not only do his vampires enjoy the sun and the water, they embrace it. Linda is to become the next servant to Nadine’s power.

The gender reversal of Bram Stoker’s tale offers a significant twist on the genre. Honestly that would have been enough to hold my interest. Vampyros Lesbos offers much more than just a revisionist Dracula. Yes, even more than the inherent value of lesbian vampirism.

Technical Notes:

The much lauded score does not disappoint. It is disarming. Bright jazzy notes and intermittent discord. Funky until it deconstructs in order punctuate or often contrast the action on screen. Jess Franco composed the film with careful attention to color and striking contrast. Red on white. Red on black. It doesn’t hurt that the camera loves Soldedad Miranda. And Franco allows his camera to linger, allowing us uninterrupted voyeurism. Severin Films’ Blu-ray looks great, though it sometimes seems like elements have come from a lesser source. A solid lossless audio track foregrounds the psychedelic score. Some minor hiss remains, but it’s never distracting.

soledad miranda vampyros lesbos

Final Thoughts:

Certain expectations come with a title like Vampyros Lesbos. The name Jess (or Jesús) Franco likewise comes with some baggage. Franco treats sex and lust like another color on a already vibrant canvas. Vampyros Lesbos grows meditative when Linda and Nadine explore their carnal instincts. As the opening theatrical scene repeats later in the film, overlong, still abstract, the movements incite a kind of trance state. We begin to pick out the smaller details about the nature of want and desire. How sex shifts the power structure between couples, and between a vampire and its prey.

On the other hand maybe it is just one big excuse to have naked women bite each other… and what’s so wrong with that?

30Hz Rating: Bloody Good

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Blu-ray Verdict: Easy call here. This stylish vampire tale has earned it’s place on the shelf. I still have to watch the “Bootleg” Spanish version, which comes on a 2nd DVD.

Availability: The Blu-ray from Severin Films is available at Amazon.

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