Categories
30Hz Bl-g Music

Best Drinking Music

We’ve all been there. It’s 2am. You’ve been drinking since dusk and you’re just not tired enough to go to sleep. Collapsed on the couch, music plays. You might not be sure how or when it started playing, but there it is. On the turntable. The iPod dock. Maybe a Sony CF530 Boombox. If someone is there, you will tell them “Goddamn, that’s the most perfect combination of mellow inebriation and killer jams in the whole goddamn universe” If someone’s not there, you’ll say this out loud anyway. And you will wholeheartedly agree with yourself.

BUT…

What if it’s not? What if you’re nursing that ideal buzz and a favorite go-to artist is playing, but that perpetually perfect tune is suddenly wrong, all wrong, so wrong, in fact, it has killed the buzz and all you want to do is go to bed, hide under the covers and listen to the Insanity Workout infomercial because you know it’s on, it’s a constant, 100% guarantee. And at that moment, all you want is the world to make sense. Don’t lie. You’ve been there. We all handle certain liquors differently. So it should be no surprise that the right music can be the lime to your tequila, the salt on the rim of your margarita, the maraschino cherry to your Manhattan… you get the picture.

 

Craft/Microbrew Domestic Beer

I’m not talking Miller 64. Something with flavor. Brewers like Victory,  Great Lakes, Rogue, Anchor, Troegs, etc. Read some Beer Advocate if you don’t know anything about these beers. Educate yourself, hipster. The world should not be fueled by PBR. Level-headed drunks drink craft/microbrews. Excellent, Americana-flavored indie-rock requires an excellent domestic beer. It’s right there on the cover of Delta Spirit’s Ode to Sunshine. He’s drinking, having fun and most assuredly listening to “People C’mon.”

Delta Spirit

[tube]http://www.youtube.com/watch?v=4Kyyjd0234w&feature=related[/tube]

Runners up:

Deer Tick
The Hold Steady
Devotchka

 

Shitty Domestic

Unfortunately I think we all know what happens to people when they drink American beer-flavored water. We know this because it’s a phenomenon that crosses generations, state lines, racial divides. I’ve seen it everywhere I’ve lived, in bars from Atlanta to Boston. If there’s Budweiser on draft, then there’s CCR on the jukebox and “Bad Moon Rising” on heavy rotation and for good reason. Also based on the album cover represented above, I feel it is safe to assume that there are people in Europe who also drink American beer-flavored water as well. These are the beers that go along with the Chappelle’s Show’s Samuel Jackson beer sketch. People drinking this stuff just want to get drunk (and somewhere along the way they killed all their tastebuds) and sing loudly. Credence might just be part of our DNA because have you ever met someone that didn’t know the words to “Bad Moon Rising?” Even if the say the don’t, they do and just don’t want to admit it.

Creedence Clearwater Revival

[tube]http://www.youtube.com/watch?v=5BmEGm-mraE[/tube]

Runners up:

Bon Jovi
John Mellencamp (w/ or w/o the “Cougar”)
Bob Seger


Rum

I want badly to write this off as a category owned by Bob Marley, but Marley has eclipsed typecasting to one kind of liquor. Besides nobody gets toasted on piña coladas and thinks “Damn, I wish I had my Bob Marley records around.” Jamaica. Rum. Rum. Jamaica. Right? Well, only in theory. Reaction to rum runs the gamut of emotions. Rum is one of those drinks that isn’t symbiotic with 30Hz. In drinks like the Cuba Libre, it goes down far too easily. As a solo libation, I find rum intolerable. So what happens when a party degrades to the point that it has gotten rum punched? If you’re squeamish I encourage you to page down right past this one. You may not want to know the truth about rum as I’ve found it retards musical taste more than any other alcoholic beverage. But under the influence of rum, Sublime sounds like a band worth listening to again. Just don’t let those rum goggles continue to influence you the next morning.

Sublime - Second Hand Smoke

Sublime

[tube]http://www.youtube.com/watch?v=AEYN5w4T_aM[/tube]

Runners up:

Jimmy Buffett
The Specials
No Doubt

 

Tequila

Now this is a combination I can wholeheartedly support, inside or outside the tequila bender. Slurred words, little bit of drool and high energy. Once again you’re faced with the logical cultural attractions. Can anyone, however, name one single Latin-inspired artist that really connected with tequila? I’m sure there’s some asshole out there that legitimately loves mariachi music and has a few mariachi bands on speed dial, but nobody actually wants to be a stereotype do they? I’d assume anyone reading my bl-g has more sense than that. Thus, in lieu of allowing a bunch of strange Mexicans in large hats free reign over your house, I suggest a band that’s part Rockabilly and part drunk. It’s not necessarily a logical fit– Rockabilly and tequila– but if you’ve ever been nursing that bottle of Sauza into the wee hours, I’m not sure there’s a better companion than the Reverend.

Reverend Horton Heat

Reverend Horton Heat

[tube]http://www.youtube.com/watch?v=rYCPrLSnWbo&feature=related[/tube]

Runners up:

Jon Spencer Blues Explosion
Pylon
Grandmaster Flash & the Furious Five


Whiskey/Bourbon

At last a genre of drunk that actually lends itself to colloquial trappings. I’ve been drunk on bourbon twice in my life. I do not fancy the stuff. But it happens. I won’t be as bold to suggest that you listen to bluegrass while drunk on whiskey no matter what Kentuckians might suggest. It’s a slow-crawl drink. Nothing happens quickly, or at all, and banjo-plucking might as well be a jackhammer on your skull. For whiskey you need to slow down, tap into some of country-music’s roots. Drunk or not, nobody should suffer mainstream country music. That last part was a public service announcement courtesy of 30Hz. Anyway, whiskey-drunk: Merle Haggard. You won’t be disappointed.

merle haggard

Merle Haggard

[tube]http://www.youtube.com/watch?v=Gv61zBZacpo[/tube]

Runners up:

Gil Scott Heron
Connie Francis
Nick Cave and the Bad Seeds

 

Gin

So here’s the thing about gin: Gin is supposed to be a staple for the classy cocktailer. But have you ever seen what happens to people who’ve been drinking gin all. night. long? If you haven’t seen the effects of a full night of gin drinking, I encourage you (legal disclaimer: but do not endorse!) to try this on an acquaintance. Watch them devolve from a cerebral, witty caricature into a sloppy Peter O’Toole. Gin will convince you that opening a restaurant at the bottom of the ocean is a good idea. You’ll also be missing a shoe. But in my mind, there’s nothing better for a gin daze than jazz. Specifically Ella Fitzgerald, because scat-singing sounds just as intelligible as regular conversation.

ella fitzgerald

 Ella Fitzgerald

[tube]http://www.youtube.com/watch?v=LFrz11K_i6k&feature=related[/tube]

Runners up:

Bonzo Dog Band
Guru
Four Tet

 

Vodka

Vodka holds the drunken world together, man and woman, bingers and sippers. Pairs with juices, Red Bulls, Vitamin Waters. If it’s in your fridge, there’s a good chance that someone’s paired it with vodka. But if it’s good with everything, consumed by everybody, how can you pigeonhole such an all-purpose libation into one artist? By justifying that artist as the hippest, chillest and most sampled artist in electronic music. And if you’re chill, you’re drinking from a squat glass with a clear liquid. Kraftwerk, like vodka, is the ultimate mood enhancer. Not too high, like tequila or rum… and not too low, like whiskey or gin.

kraftwerk action figures

Kraftwerk

[tube]http://www.youtube.com/watch?v=eaScyfSHc-Y[/tube]

Runners up:

Booker T. and the MGs
A Tribe Called Quest
Hall & Oates

Peach Schnapps

If you’re of a certain generation and you get a little more than tipsy on Peach Schnapps, chances are you’re going to be listening to this guy and considering it a raucous evening. And quite frankly, I can’t blame you. Tom Jones makes that Schnapps worthwhile. Hell, I’d drink the schnapps just to justify the Tom Jones.

Tom Jones

Tom Jones

[tube]http://www.youtube.com/watch?v=Ec3jIipfBqs[/tube]

Runners up:

Robert Goulet
Neil Diamond

Barry Manilow

 

Everything

Only one artist that goes well with every drink, every drunk, and every stupor. 2am belongs to Tom Waits.

Tom Waits, the ruler of 2am and beyond

Tom Waits

[tube]http://www.youtube.com/watch?v=ovuPvITFptc&feature=related[/tube]

 

Everything Else

Sometime Tom Waits doesn’t sit well, like bad sushi. Blame the bartender for watering down the drinks and you having too too many too quickly or your friends for enabling the consumption of mass quantities. When this happens, and you’ve blown right past the Tom Waits threshold, there’s only one place to turn. And, again, I must warn you… if you’re squeamish, turn back now. Stop reading. If you’ve never been this drunk and still conscious, then maybe you don’t want to know the truth about flat out, dumb, stupid tipsy. I wouldn’t blame you. But if you’ve been there. You most likely found yourself in a karaoke bar. And if you went dumb, stupid tipsy and found yourself in a karaoke bar, someone in your group, perhaps all of you, sang the Spice Girls.

spice girls

Spice Girls

[tube]http://www.youtube.com/watch?v=gJLIiF15wjQ[/tube]

 

Categories
30Hz Bl-g Live Music Music

Yellow Ostrich/Los Campesinos! @ Brillobox 6/24

More often than not lately I buy tickets to shows just because I want to see the opening act. I went to see Hospitality and stayed for Here We Go Magic. I make the easy agreement with myself that if I’m not enjoying the show, I have my own 100% permission to bail, no guilt. But I don’t bail because more often than not I find something in the live act that I’d not heard previously on the studio recordings. So it went, most recently, with Here We Go Magic. I’d always liked the band, but heavy rotation wasn’t in their past, present or future. Now I have Here We Go Magic’s debut record in the easy-to-access stack of vinyl next to the turntable.

Yellow Ostrich, Mistress

I’ve been following Yellow Ostrich since I heard John Richards spin a track from their EP Fade Cave on KEXP in 2009 (stream the radio station on www.kexp.org). Smitten, I downloaded both the EP and full length Mistress without hesitation.

Side note: listening to KEXP is the always the worst thing for my music budget. On any given day I’ll hear three or four new bands that I buy or toss on my wishlist. It’s a disease. Also, I trust John Richard’s taste in music more than my own. Dude is absolutely infallible. By the way, I’m listening to him now as I write this and just threw the new Exitmusic release in my to-buy list. And now he’s playing the Cure. If I were more awesome, I’d be John Richards. But I digress.

Sunday, Yellow Ostrich opened for Welsh pop-punkers Los Campesinos! (though none of them are originally from Wales), a band I perpetually enjoy but never love. A few tracks have really grabbed me.

For example, this track from Hello Sadness made my Best of 2011 list.

[tube] http://www.youtube.com/watch?v=kOseg2IktAE[/tube]

Yellow Ostrich did not disappoint. I put up a little write up for the band’s new release on my intermittent 30Hz Recommended posts and wrote the review for Spill Magazine. From that review:

“Strange Land is the intersection of the familiar with the surreal. Frontman Alex Schaaf, a mad musical professor, under the moniker Yellow Ostrich, recorded the Fade Cave EP and The Mistress at his home in Wisconsin. In 2010 he moved to New York, released The Mistress on Barsuk Records and found himself a legitimate full-blown three-piece band, adding multi-instrumentalist Joe Natchez and drummer Michael Tapper. The songs on The Mistress are minimalist, vocal loops and solo instrumentation mixed into something raw and personal. Schaaf’s journey from the familiar (Wisconsin, working solo) to the surreal, the strange (New York, bandmates) influences everything on Strange Land, an album that embodies the schizophrenia of a man caught between two worlds.”

Alex Schaaf
Alex Schaaf

Schaaf and co. didn’t disappoint. Their live orchestration was tight and Schaaf’s performance made it clear that he pours his soul into his music. Every song sapped his energy and only the promise of performing the next one revived him. I’d been most curious how the full band would handle Schaaf’s compositions from his earlier, solo work from Mistress and Fade Cave. Both “Whale” and “Mary” sounded very similar to Schaaf’s solo mad-scientist recordings but with more depth. A live performance with more musicians, inevitably, has that effect. Just hearing the live version of the fragile “Whale,” in particular, made the show worthwhile. That was the song that caused me to buy the small Yellow Ostrich catalog back in 2009 and it still stood out as a unique and brilliant song among the new material.

Whale (recorded live at KEXP in 2011):

[tube] http://www.youtube.com/watch?v=NfWDmDPKKDE[/tube]

After the Yellow Ostrich set, as I have made a habit of doing, I hung out by the swag table to buy a record and chat. Schaaf hung around for a few minutes receiving some much deserved fan adulation. I only chatted him up for a few minutes about his abbreviated two week tour with Los Campesinos! that concludes in Miami of all places. He lamented the termination as the band must then spin their van back back down the long road from Florida to New York City while Los Campesinos! hops on a plane back to the UK. He seemed like a genuine guy with an easy sense of humor.

Los Campesinos!
Los Campesinos!

Los Campesinos! bounds on stage. I knew very little about the band’s makeup. Suddenly there’s a flood of musicians on the tiny Brillobox stage. If you’ve been to the Brillobox venue here in Pittsburgh, imagine a cluster of seven musicians on that miniature platform that’s more like a soap box. Led on stage by lead singer Gareth (an apparent well of infinite enthusiasm despite claiming to have been exhausted by taking to a Southside pub for the afternoon football match), the band launches into their opener and the crowd immediately begins fist-pumping and bouncing and screaming lyrics. Easily the most energetic crowd I’ve witnessed at Brillobox and probably the loudest show. Seven bandmembers, seven instruments play loud but the cacophony somehow doesn’t overcome the long, rectangular space. Their brand of indie-pop is raucous with a post-punk twist. Think Built to Spill with Joy Division and a dash of the Clash and Belle & Sebastian.

Between the two- or three-song blocks, Gareth once pauses to berate the crowd for being “so damn nice” (and he follows this by clarifying “And that’s not a good thing”) and mocks the gathered for cheering whenever he says “Pittsburgh.” “It’s such a silly American thing, all this irrational civic pride” he says and from there on refers to Pittsburgh as “the place that shall not be named.” His banter is good-natured and very British, which allows him to get away with saying pretty much anything he likes. He has the shiny, happy hipster crowd of 120 eating out of his hand. By the time the band plays “You! Me! Dancing!” the venue erupts and I’ve got to wonder what the show sounds like to those gathered in the bar downstairs. The floor bounces and the united patrons scream the chorus in perfect synchronicity.

“You! Me! Dancing!” off Hold On Now, Youngster (2008) is just pure joy. I couldn’t find a live version with decent audio. A shame.

[tube]http://www.youtube.com/watch?v=Nj6SO_yKMe8&feature=list_related&playnext=1&list=AL94UKMTqg-9CDeaGmzyVa06JZTtdb_KWj [/tube]

It’s one of those live music moments you’ll want to bottle and remember every time the song plays. The band milks the live show for everything they’ve got. It’s no wonder they’ve built such a positive reputation for their shows.

Every time I hear Los Campesinos! I’ll still have that live performance informing all of those studio recordings. And now the previously flat music has a life and vigor that didn’t exist previously. If this tour happens to stop in your town, just go. Hang out, have a drink and enjoy some great music the way it was meant to be heard.

Notes:

Modelo EspecialIf you’re at a bar noted for its selection of microbrews and craft beer do not stride confidently up to the bar and order “the cheapest, shittiest beer you’ve got.” When a great beer, on tap, costs $5, it’s just weird. I really wish I had a picture of the guy that hopped up on the bar stool, made this request and then sat there sipping a can of Modelo (which, btw, was the cheapest, shittiest beer they had).

If you go to these shows in Pittsburgh and you see some asshole standing by himself using Twitter as company before a show, it’s probably me. Feel free to say hello, unless you just hopped up on the bar stool next to me and ordered something “cheap and shitty” because I’m probably Tweeting about you.

I paraphrase everything. Don’t think that just because I’m using quotation marks around a phrase spoken by the lead singer that I’m repeating anything verbatim. Because 1) I’ve been drinking. 2) I’m not recording the show because I see the guy that stands there recording everything on his phone and he always looks like an asshole. Just enjoy the show, dude.

Yellow Ostrich frontman Alex Schaaf recorded a re-imagining of Radiohead’s Kid A using two pianos, two violins and two cellos. It’s pretty fantastic. Listen and download here: Schaaf’s Kid A

Also, for reference, a picture of the Brillobox stage.

Those Darlins at the Brillobox, Pittsburgh
Photo by Hugh Twyman
Categories
Fiction Writing

Shoot Like You’re Awesome

(a version of this story was originally published by P.Q. Leer)

a short story by James David Patrick

“I’m sorry, sir. We don’t have a bellboy,” the concierge said.

Westinghouse demanded that his bags be sent to his room. “My hands are my life,” he said. “They could cramp. The muscles could tear. I could be left with a claw! You’ve never seen a national champion with a distorted grotesquery like a claw, have you?” Westinghouse asked.

The concierge, who was really just an Art History major with a pregnant girlfriend named Kimmie, shook his head. “No,” he said, “I’ve never seen a dude with a claw. Let alone a rock, paper, scissors champion with a claw.” But he couldn’t leave the desk, he said, being the only one on duty. “At a bar in Philly, I did see a guy with a club foot, however.”

“First. The bag is heavy,” Westinghouse said. “It contains my clothes for an entire three month roadtrip and my best suit, my only suit, for when I’m the guest of honor at the Champion’s Dinner. And second. I think I speak for everyone when I say we prefer the term Rochambeau.”

The Art History major looked at the bag. “Hmm.” He pointed. “Use the shoulder strap there.”

Westinghouse laughed at his own oversight. “I’m sorry,” he said. “I’m just so focused. I’m just so focused I can’t function. You might wonder how I can focus so entirely.” The Art History major didn’t wonder but Westinghouse told him anyway. “Every day I tell myself to ‘Shoot like you’re awesome,’ until I believe it,” he said.

The Art History major asked for a demonstration.

Westinghouse placed his bag on the floor and closed his eyes. With his fist pressed into his palm he repeated “Shoot like you’re awesome” until he believed it. Once he believed it, he opened his eyes to find a white-haired woman with nearly-transparent skin now sitting behind the desk. She flipped through a Redbook Magazine and looked like a blue-haired Valerie Bertinelli.

“Carl left,” she said.

“Wow,” Westinghouse said, “I’m just so focused, I didn’t notice.”

She flipped the page.

“You might wonder how I can focus so entirely.”

Blue-hair Valerie looked up from her Redbook. The corners of her mouth rose, but nobody could have called it a smile. “Honey,” she said, “I’ve been listening to that crap for nearly an hour. I think I got the picture. I even tried it myself for awhile.”

“How’d that go?”

“Well,” she said, “when I opened my eyes, I was still here, listening to you.”