Category Archives: 30Hz Music

The 30Hz music-related ramblings

Record Store Day 2014 Wishlist by @demangone

Most Wanted Record Store Day 2014 Releases

by DJ Demangone (@demangone)

(In my mind DJ is the antidisestablishmentarian of musical appreciation. I have no idea how that applies to music but it just sound right. His picks are typically off most radars, but they should be on yours.)

Gonga – Black Sabbeth

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I first heard of Gonga from an Aquarius Records description, where they were compared to the Melvins. I get more of a Kyuss vibe from them, which is never a bad thing. Anyway, Gonga covers Black Sabbath’s titular song with Beth Gibbons from Portishead on vocals, hence the misspelling of the name. There’s not much more to say. The Cardigans have covered Sabbath and I liked it. I’ve got high hopes for this one.

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Cave In – Jupiter

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My list includes a lot of stuff that I already own, mostly on other formats. I already have a copy of this on vinyl and cd, but one of the issues with the album has always been the mix – the bass is buried. The good news is that it’s been remixed by James Plotkin of Phantomsmasher, Khanate, and OLD fame. The story of this albums is essentially “a teenaged metal band from Boston matured a bit and released some Floyd homage”, I still like this thing a lot.

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Sacrifice Poles – s/t

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The brother from another mother, essentially outtake jams from the Jupiter recording sessions, Sacrifice Poles is Cave In sans vocals. I remember listening to this album a lot as a freshman in college in the darkroom. As with Jupiter, this guy will also be getting remastered by Plotkin. It’s also the first time that it will be available on vinyl. Of the records I’m looking for, this is the one I’ll probably have to end up finding online.

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Pantera/Poison Idea – The Badge

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Pantera covered this Poison Idea song for the Crow Soundtrack. They did a great job with an already great song. It can’t hurt to own both versions on one record, right?

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Charlotte Gainsbourg – Hey Joe

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I like Charlotte Gainsbourg, I like Beck, I like the song Hey Joe, and I like Sebastien. Hard to go wrong with this, except that it’s $13 for a 7” – which is just dumb.

Record Store Day 2014 Wishlist by @NoisyHeart88

Most Wanted Record Store Day 2014 Releases

by Rachel Fox (@NoisyHeart88)

 

1. Dawes/Conor Oberst Split 7″

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I like to own anything by my favorite band Dawes and this should be a very cool release with each act covering the other. I’m not actually familiar with the Conor song Dawes is doing, but Conor covering “Million Dollar Bill” should be very interesting. Plus it’s a fun precursor to the upcoming collaborative tour.

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2. Deer Tick- Eel Bowel 7″

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I loved the first b-side released from the Negativity recording sessions as much as anything on the album, so I’m psyched to hear some more songs from that time.

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3. The Civil Wars- Live at Eddie’s Attic 12″

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Sadly this may be the last release from the now disbanded duo. It’s not new music (the album has been available as a free download in the past), but live shows are where this group shined and this will be a nice piece to own.
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4. Conor Oberst- Hundreds of Ways/Fast Friends 7″

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The second appearance from Conor on my list is a 7″ with two new songs in advance of his upcoming solo effort. Hundreds of Ways was released as the first single of sorts from the album, but Fast Friends appears to be a b-side, so this will be worth owning for fans.

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5. The Wild Feathers- Got It Wrong/Marie 7″

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This band’s debut album has become a recent favorite and I think Got It Wrong is one of the stand out tracks. Marie is a previously unreleased track.

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Also hoping to grab: Kings of Leon- “Wait For Me” 7″, Phosphorescent- “Song for Zula” 12″, and Johnny Cash- With His Hot and Blue Guitar 12″.

Cloud Cult @ Mr. Smalls 4/13

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Cloud Cult might just be the real world equivalent of Wyld Stallyns. And even if aren’t, I’m comforted in knowing that there’s a band out there making music that thinks that music is going to one day save the world.

Frontman Craig Minowa takes his shit seriously. No addressing the crowd except to acknowledge them briefly before each of their sets. I should start at the beginning — Cloud Cult played two sets with no opener. They began with an all-acoustic set followed by the electric set, and, pardon my regurgitation, but both were electric. Without seeing Cloud Cult it’s nary impossible to impress how much they rawk. I use that term completely without irony. And I just wasn’t prepared. Cloud Cult songs may not adhere to a strict pattern, but trends certainly emerge. Slow build with synth and/or strings, followed by furious percussion (good lord can Arlen Peiffer beat a drum) and finally a crescendo of rawk – guitar, brass and emotional, earnest lyrics spewed at maximum feel.

If Cloud Cult is coming to a city near you (I’m looking at you Concord, Boston, New York, Philadephia, Washington D.C., Vancouver, Seattle and Portland) buy a ticket.

And if you’re unfamiliar with the band, here’s the Cloud Cult song that made my Top 100 of 2013 last year.

 

Old School Fridays – Ice Cube

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“It Was A Good Day” dominated the radio and video charts in early 1993, my last months in Detroit before moving to Pittsburgh. I most associate that song with my transition… which speaks to its omnipresence, because even though I had Ice Cube’s The Predator — on cassette, mind you — I rarely let the tape roll beyond the fourth track, “Wicked.” In my mind, the best song solo Cube ever recorded.

I had just been introduced to NWA by my little friend, Jeff, a year or so earlier. And I say “little” not to be somehow dismissive or derogatory, but because Jeff was just a short little Jewish dude, a fact I documented, with some context, in my mini-memoir about Detroit, the Detroit Tigers and whiffleball, Mickey TettletonJeff had an older brother, a slightly less-short Jewish dude, who was in high school and supplied Jeff with all kinds of classic rap all on well-spun cassettes, often without inserts. They were old to him, but brand f’ing new to us. Not only did I first learn about NWA from this apparently endless wellspring but also Johnny Clegg & Savuka. Indispensable musical education, if you ask me. I dubbed Jeff’s inherited NWA tape, Straight Outta Compton, and that dub remains the only copy of that record I ever owned… until I recently picked up a new pressing of the record on vinyl. Modern music consumption has become akin to the snake eating its own tail.

Suffice to say in the time after discovering the pure, explicit awesomeness of Straight Outta Compton, I’d become very familiar with all of the solo records released by the members of NWA and devoured them all… though I never especially understood the appeal of Eazy-E. If I remember correctly I ended up giving that one Eazy-E record to Jeff. The weekend after Ice Cube released The Predator, I encouraged my mother, as only a fourteen-year old could (somehow deluding myself that I’d managed to convince her that the outing was for her own benefit), to take me to the CD store. At this point, most music stores had ceased to carry vinyl. Cassettes and CDs shared space on the floor. CDs lived in the middle of the store while the cassettes lined the exterior walls. I rushed though the near-empty Camelot Music to beat all of people who *weren’t* mobbing the “I” tab in the rap section. “I” tab. No new Ice Cube record. I asked the clerk. I remember this conversation vividly. He said, “No more Cube, kid.” Color me extraordinarily confused. Your job is to stock the music and you’ve somehow overlooked stocking enough of the new Ice Cube record? Then the clerk suggested that I go look for the tape, waving somewhere in the general direction of the back wall.

The tape?

I was beyond purchasing full albums on cassette. WE HAVE COMPACT DISCS NOW! THE FUTURE IS NIGH!

But I wanted this album. I needed it. So I swallowed my pride. Ice Cube’s The Predator became the last record I ever purchased on cassette tape. I found that tape recently, as I cleared out some old boxes in my basement, in an old plush Denon cassette case, the ones that came with the blank tapes. It had lived, right alongside that dubbed cassette of NWA’s Straight Outta Compton for 20 years. And then there was the cassette singles for “I’m Too Sexy” and “My Name Is Prince.”

 Ice Cube’s “Wicked”

Ice Cube – Wicked (1992) from Golden Era Videos on Vimeo.

30Hz Recommended: Lost In The Trees

This new album from the Chapel Hill band Lost In The Trees has been out for a few weeks now, but this title track to the record still has me in a trance. I can’t get enough and yet it affects me every time. It’s haunting and somehow hopeful. Although the record never hits another high quite like this, the rest of the tracks are solid, top to bottom. Lost In The Trees has been good band for some time, but this track could easily be considered their masterpiece.

Lost In The Trees: “Past Life”

And if you want to take a step back, here’s the track that first put the band on my radar back in 2010, performed for NPR as one of their Tiny Desk Concerts: