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Cinema

February Shame: So The Longest Yard is not really a comedy

the longest yard

February Shame: So The Longest Yard is not really a comedy

(originally posted at www.cinemashame.wordpress.com)

I am an unapologetic fan of Burt Reynolds. When I talk about Burt Reynolds films in the 1970’s I occasionally slip into a diatribe not unlike something that would come from the mouth of Sterling Archer.

I’m under no delusions.

Most of Burt’s cinematic output is, objectively, bad. But it’s pure entertainment. Just listen to that trademark Burt Reynolds laugh and try not to smile. Go ahead.

In Entertainment Weekly’s Guide to the Greatest Movies Ever Made, one of my inspirations for the CinemaShame project, The Longest Yard was ranked as the highest “comedy” I had not yet seen. And it starred Burt Reynolds. No more excuses.

When, within the first five minutes, The Longest Yard offered me a drunken Burt Reynolds man-whore; a car chase; an unexpected appearance by Bernadette Peters and “the laugh,” I was convinced The Longest Yard might be the best movie ever made. Clearly, I’d become wrapped up in the moment.

And then a funny thing happened after about 30 more minutes. I realized that The Longest Yard wasn’t really comedy at all. Sure, there are funny moments. Indisputably funny. In addition to Richard Kiel’s “I think I broke his fuckin’ neck” bit, this scene in particular had me rolling:

In the end, however, The Longest Yard is about race and privilege, the corruption of the prison system and the culturally accepted violence in sport. For every laugh there’s dire consequences. The warden, played with wonderful, slithery menace, by Eddie Albert (Green Acres) doesn’t pull any punches. He’s not in this movie for cloying broad comedy. He coerces an inmate to burn another inmate (a main character, mind you) by locking him in a cell and rigging the light fixture to explode. Names have been removed to prevent spoilerfication. And even though Burt Reynolds summons all of his mid-70’s superpowers, including a gag about shaving his mustache, he’s only half inside the comedy can and gives a performance that somehow, someway balances and cements the erratic tone of the film into something coherent, funny and dramatic. Burt Reynolds had range, goddammit.

In fact, the influence of The Longest Yard can be felt in nearly every football movie since, comedy or otherwise — yet none can touch the brutality displayed in 1974. Even when it’s funny, it’s a touch uncomfortable. Much like the scene above. Once is funny. Twice is funnier. Three times and I started to feel sympathy pains. Take for example Any Given Sunday — the movie of similar subtext that sets out to acknowledge the socially-approved manslaughter. The gloss and sheen of a modern big budget film makes the violence seem safe and less terrible. The gritty, grainy film stock used in the 70’s, coupled with the trending cinematic realism blurs the line between horror and humor. Is The Longest Yard a great cinematic achievement? Maybe. Maybe not. What is, however, is a miracle in light of our current, disposable expectations for sports movies and sports comedies in particular. This is something much more… even if I’m not quite sure how to stock it on the video shelves.

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Cinema

January Shame: So Ben-Hur is kinda about Jesus by @007hertzrumble

As a follow up to my introduction of CinemaShame yesterday, I’m reposting the entry I wrote for my January selection, BEN-HUR. I have my February selection lined up for this weekend. It really feels good to finally watch these movies. There’s therapy happening here daily.

That’s how I began my viewing on Ben-Hur Saturday night.

But first some backstory.

I’ve owned multiple versions of Ben-Hur on DVD and Blu-ray. Most recently I picked up this mamajamma 50th Anniversary Ultimate Collector’s Edition on Blu-ray. And for a long time, I’d been content to look at it on my shelf. A brilliant example of how to make me pay money for a movie I have no agenda to watch. Put it in a bigass glossy box with cool cinephile-specific shit inside I might not ever read. I also have the similarly-styled Casablanca set.

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Cinema

An Introduction to CinemaShame

CinemaShame - Last Crusade Knight

Back in January, a Twitter acquaintance (#Bond_age_ regular @campbelldropout) and I were discussing an idea for a project that would encourage people to finally tackle those movies that they regret not having seen. He had come up with a list of 12 movies that he planned to watch in 2014. Ones that he’d always wanted to see, but for one reason or another just hadn’t. It was an idea I’d considered around in the past. I just hadn’t come up with a way to make the venture more community-oriented… until he showed me his list. After exchanging a few tweets we came up with the idea of CinemaShame, a support group for cinephiles with latent guilt. Here’s the blurb from the About page at cinemashame.wordpress.com:

Everyone’s got those movies that they regret not having seen. They tear at the very being of the movie fan, the movie aficionado, the cinephile. Should our friends find out, we’d be labeled frauds, outcasts.

Some movie watcher, you are.

How have you not seen [insert movie title here]?

Everyone’s heard these exclamations at one point or another, so much so that we probably clutch these secrets so close to our chest it hurts. No one will ever know. But we know. And it eats away at us every time we respond in  a Twitter thread or Facebook post with a vague, understated comment that suggests we’ve seen the film in question, without ever committing one slice of concrete knowledge.

Only the penitent movie watcher will pass, will rest easy at night, will finally, after all these years, watch The Deer Hunter without shame and without the judgment of self-righteous others.

Join the penitent men and women who are writing their confessionals in the form of 12-movie lists. Watch one per month and then submit a blog entry about the experience. Write about why you chose the movie, why it was important for you to finally watch it, write about your expectations and how that shaped your viewing.

The project immediately gained quite a bit of interest on Twitter, with 19 people now having submitted their own Statements of Shame — their list of 12 movies they plan to watch. So far it’s been a lot of fun, a virtual watercooler for classic movies. Even if you don’t have any desire to contribute, skim some of the posts on the website, maybe even chat up some of our contributors about their selections.

To describe some of my own impetus for starting the project, here’s the post I wrote to describe my own seeds of CinemaShame:

I meant to post an origin story (they’re all the rage after all) about the beginnings of CinemaShame but the whole project took off before I could toss this out there. Better late-ish than never. Sometime in high school (1995-ish) when I became obsessed with haunting video stores, my parents bought me a book called THE ENTERTAINMENT WEEKLY GUIDE TO THE GREATEST MOVIES EVER MADE. It had just been published in 1994 and was the most up-to-date guide on movies I’d ever seen. The lists contained within were broken down by genre: Drama, Comedy, Action, Sci-Fi, Western, etc. It even contains an awesomely nostalgic time-capsule section on the best Laserdisc releases.

EW GUIDE TO THE GREATEST MOVIES EVER MADE

Anyway, as I went through the book I marked the movies I’d seen and immediately set forth watching every movie counted off in the book. Suffice to say, twenty years later, dog-earned and falling apart at the binding, the book remains a constant around my TV. I’m still marking off movies I’m just seeing for the first time. A few months ago, I began wondering how I could encourage myself to tackle those films I hadn’t yet watched when the notion of crossing another movie off the list hadn’t yet compelled me. I’d tossed about the idea of live tweeting the movies but the rigors of #Bond_age_ made that impossible. Then when @campbelldropout offhand mentioned his 12-film list on Twitter, I had a EUREKA! moment and the ensuing conversation begat CinemaShame.

In compiling my list of 12, I consulted the EW Guide for a few picks. I looked at the movies I already owned for some others. Perhaps the best aspect of this book is that the lists aren’t routine regurgitation. They contain some surprise entries among the hard-and-fast staples. This might be the result of it being compiled pre-Internet and free from widespread public ridicule. Whatever the reason for it’s longevity, this book has guided my movie watching for as long as I can remember, and I feel like I owed it this fleeting moment of fame.

A sample page from the Sci-Fi/Horror section.
A sample page from the Sci-Fi/Horror section.

Here’s a sampling of how the book ranks the most listed films by our Penitent Moviewatchers:

Drama

Citizen Kane_post
No big shock. Kane takes the #1 spot in Drama.

Citizen Kane – #1 Drama
Gone With the Wind – #2 Drama
The Godfather / The Godfather: Part II – #3 Drama
Casablanca – #4 Drama
One Flew Over the Cuckoo’s Nest – #11 Drama
Raging Bull – #22 Drama
It’s A Wonderful Life – #27 Drama
Taxi Driver – #35 Drama

Comedy, et al.

Maybe I love this book because it picked Airplane! as it's #1 Comedy.
Maybe I love this book because it picked Airplane! as it’s #1 Comedy. Nobody’s watching Airplane!, however. I do hope everyone’s seen it… ahem.

Dr. Strangelove – #11 Comedy

Enter the Dragon – #27 Action

The Wild Bunch – #9 Western
Rio Bravo – #12 Western

North By Northwest – #10 Mystery/Suspense

Psycho – #1 Sci-Fi/Horror
Close Encounters of the Third Kind – #4 Sci-Fi/Horror
2001 – #10 Sci-Fi/Horror
Blade Runner – #50 Sci-Fi/Horror
Dracula (1931) – #51 Sci-Fi/Horror

Singin’ in the Rain – #3 Musical

…the only thing I really don’t like is the way the book handles the “foreign” category… just an arbitrary grouping of everything that’s not in English…

The 400 Blows – #48 Foreign
Rashomon – #61 Foreign
La Dolce Vita – #71 Foreign
Breathless – #75 Foreign

The Apartment – #51 Laserdisc (Ha!)