Tag Archives: tcmff

Meet Me at the Quad: 2018 TCM Film Festival Preview

 

The feeding frenzy began Wednesday morning, sometime around 11am EDT. TCM released the schedule for the 2018 TCM Film Festival, and the drooling, movie-starved masses fled to their electronic devices to sneak a peak at the ecstasy and the agony.

For those that aren’t familiar with the Turner Classic Movie Film Festival, each spring TCM hosts a four-day film festival on Hollywood Blvd. Movies from 9:00am until 2:00am. Equal parts euphoria and self-flagellation. Maybe you’ll eat. Maybe you’ll sleep. You’ll definitely see movies. In fact, if you set your plans for max consumption you could see 21 movies during your stay.

#ProTip: Don’t plan for max consumption. You’ll enjoy yourself more by focusing on the experience — even if it’ll cost you an extra time slot in travel to and from a more distant venue. My favorite TCM Film Festival event remains The Scent of Mystery at the Cinerama Dome in 2016, an event which spent an entire morning.

Due to the current lack of a proper schedule grid, I took to my trusty notepad and scribbled a schedule for an early attempt at planning my 2018 TCM Film Festival. Because people want to know. People want to share this experience with their Fest Friends. It may feel duly and truly like solipsism, but I’ve come to realize that these TCM Film Festival previews help fellow attendees (especially first-timers) plan their trip. And the recaps help people mourn the Fest’s end and re-assimilate into daily life.

Fun Fact: TCMFF attendees are actually totally, legitimately serious when they ask for your schedule. The path we travel at these events keeps everyone on the edge of their seats. If you blog, blog it up.

Three Quick Observations of the 2018 TCM Film Festival Schedule:

Friday Night is a unholy abomination of quintuple booking. We love to complain about our conflicts. We paid many $$$ for these tickets because there’s always something to see — so when we’re faced with a single time slot that includes The Exorcist (with director William Friedkin in attendance), Leave Her to Heaven on Nitrate (maybe a special surprise celebrity introduction?), Zeffirelli’s Romeo & Juliet (with Olivia Hussey, Leonard Whiting and Michael York in attendance), Point Blank, and Will Success Spoil Rock Hunter? (with Michael Schlesinger in attendance) we have every right to weep into our hands. In 2018, there are a couple of these impossible time slots and a couple of lessers where I’m merely adequately pleased with the offerings. 2018, more so than my prior festivals, appears to be a feast or famine festival.

Pro tip: Eliminate potential conflicts by watching widely available movies at home before the festival — especially if those movies aren’t being shown on 35mm.

JOHN. CARPENTER.

That’s right. The master of horror will make an appearance at the 2018 TCM Film Festival to introduce Howard Hawks’ Scarface (1932). He could have introduced a paper bag named Phil and I’d have shown up.

For the first time in four festivals, I could navigate the entire four days, see a movie in every time slot, and not watch a movie I’ve already seen (The Night of the Living Dead midnight screening excepted). Not that I’m going to follow that path, but that’s damn impressive. I’m not saying I’m the oracle or anything, just that I’ve seen my share.

#ProTip: Don’t ever ever ever ever worry about having a down time slot. TCM does a wonderful job of curating their schedule. You may not know or care about a particular part of the schedule, but this will encourage you to watch something you wouldn’t normally watch. Dabbling outside your comfort zone rewards amply.

Enough jibber jabber. Let’s get to the festival.

My 2018 TCM Film Festival Preview

This will be my first year attending the festival with shiny press credentials. I’ll be covering select screenings for the fine folks at Action-a-Go-Go. What does that mean for you? You can look forward to in-depth coverage of Bullitt, The Taking of Pelham 123, and Sweet Sweetback’s Baadasssss Song. Also, if you want to grab a #Bond_age_ or Cinema Shame button, I will *definitely* be present at those three screenings. Follow my @007hertzrumble Twitter feed for regular updates. Even if you don’t want a button, feel free to stop by and say “hello.”

TCM chose “Powerful Words: The Page Onscreen” as the loose theme of this year’s festival, which means they’ve attempted to corral films adapted from famous writers and films about writers under the 2018 TCM Film Festival umbrella.

I’ll arrive in Los Angeles about noon. If my calculations are correct, I’ll have enough time to make it to my hotel, stash my stuff and record a quick on-location at TCMFF Cinema Shame podcast special before programming  begins at 6:00pm.

Before you jump headfirst into TCM Film Festivaling, let’s go over a few choice pieces of advice I try to give to every new attendee:

Drink lots of water. Buy bottles of the stuff at CVS or Trader Joe’s and keep them handy. You’re going to be eating more than your share of salty food. Plus hydration keeps disease at bay…

…speaking of disease, bring some of those Vitamin C tablets, Airborne’s or the like. I’d suggest one per day. Travel, lots of people, lack of sleep, irregular sustenance do not build a functioning immune system.

Eat food when you have the opportunity. Especially breakfast. You can bring food into the theater. Go directly to your movie queue and wait for your numbered voucher. Once you have that, you’re free to leave. If you’re in a hurry, toss a burrito or a sandwich into your bag and return to your queue. They load the theaters 30 minutes prior to showtime. Once you’re seated, break out that sandwich and have at it.

Bring a portable phone charger. Even if you’re not on social media and burning through your battery, you’ll still want to make sure you can communicate with other people at the festival. Things like “Save me a seat!” or “Where are you in line?” or “What are you seeing at 7?” will be oft-repeated. I use this one — it’s a brick, but it charges multiple devices at once… and fast. Plug it in at the beginning of the movie and you’ll have a fully charged phone by the time you leave.

Thursday

thursday tcm film festival 2018 schedule

As you can see by my old school workflow chart, I scribbled out my schedule before someone threw together the proper grid to share with the community. It’s charming. Feel free to borrow these.

I kid. Just wait until I get to tomorrow and my shorthand becomes completely unintelligible.

 

tcm film festival 2018 finishing school

7:00pm – Finishing School (1934) – Chinese Multiplex 4

TCM baptizes by fire in this first slot. I would have been happy to see any one of the other films shown. To Have and Have Not, Detour, Murder on the Orient Express, and Them! poolside. Finishing School is the only one I haven’t seen and it’s in 35mm and the only one I don’t already own on DVD.

#ProTip: So many variables come into play when choosing a film to see at any given time slot. Have you seen it? Is it rare or unavailable on home video? Is it being shown on film or digital? Who’s speaking before the film? You’ll notice on my scribbled schedule that I’ve marked up four stars next to Finishing School. Unseen. Shown on film. Guest speakers. Pre-code.

tcm film festival 2018 throne of blood

9:15pm – Throne of Blood (1957) – Chinese Multiplex 4

This is my first crisis. Stage Door is being shown on Nitrate film stock at the Egyptian. Throne of Blood on 35mm in Multiplex 4. Stage Door is great, but Throne of Blood is my all-time favorite Kurosawa and I’ve never seen it big and on film. The irony is that I care so much about the aforementioned duo that I haven’t considered Fail Safe or The Sea Wolf — two films I haven’t seen… though I do love me some Sidney Lumet and Fail Safe is something I should watch… urgh.

Fun fact: Plans are meant to be broken.

Friday

tcm film festival 2018 friday

The first full day kicks off with three consecutive toss-up decisions.

Fun fact: By my calculations there are roughly 5000 different schedule combinations for each Friday and Saturday.

9:00am – Intruder in the Dust (1949) – Chinese Multiplex 4

My first instinct had me watching the Lubitsch musical The Merry Widow at the Egyptian, but I had to change course after some more consideration. This could be a teaching moment for all you first-timers. I’ve seen The Merry Widow and while it’s tremendous fun and shown on 35mm, I would likely never make the time to see the lesser known Intruder in the Dust. Many consider Intruder the finest adaptation of a Faulkner novel. Clarence Brown, a friend of Faulkner’s, pushed this into production at MGM, and as a result the legendary writer had a unofficial hand in the production. (He was contracted over at Warner Bros.) Years later, when you look back on your festival experiences, you’ll probably remember these movies far more vividly than rewatches of movies that you already know you enjoy.

…all that said, I wouldn’t discount a trip to the Cinerama Dome to see James Garner in Grand Prix. At some point everyone needs to make a trip over to the Cinerama Dome. And if I do that, these first two time slots are spoken for…

11:45am – Witness for the Prosecution (1957) – Egyptian

Unseen and on 35mm. Witness narrowly edges out Errol Flynn in The Charge of the Light Brigade. War movies generally don’t powder my canons, but I could make an except for Errol — who plays like gangbusters to a classic film crowd. Plus, Light Brigade might win in the end because it gets out earlier and that might benefit my next selection…

2:30pm – Blessed Event (1932) – Chinese Multiplex 4

TCM Film Festival 2018 Blessed Event

The Set-Up‘s a great noir over at the Egyptian, but Blessed Event is a pre-code comedy playing in the Chinese Multiplex 4 and I’m all about braving a bloodbath. (See 2016’s Double Harness debacle.)  TCM made a habit of stuffing hugely popular pre-code comedies into this, the smallest theater in the festival, grabbing a box of popcorn and watching the carnage. Last year, attendees were given a reprieve from the harrowing experiences of prior years (these films mostly played at the Egyptian in 2017). It seems, however, that TCM grew bored with widespread harmony. There’s a reason the Multiplex #4 is known as the Thunderdome. If you really want to see this movie, you may need to arrive early.

none shall escape tcm film festival 2018

4:45pm – None Shall Escape (1944) – Chinese Multiplex 6

This is where the schedule on Friday gets a little wonky. Two 85-minute movies play in the Multiplex 4 and 6. Depending upon when Blessed Event gets out, I might be able to sneak in the one with the earlier start before Sweet Sweetback’s Baadasssss Song at 6:15pm — but a bunch of variables will come into play here and I’ll just have to see how it goes. I’ve got this one earmarked, but I can’t make any commitments because I’m contractually obligated to be at…

tcm film festival 2018

6:15 pm – Sweet Sweetback’s Baadasssss Song (1971) – Egyptian

Melvin Van Peebles in the house to introduce his masterpiece of independent filmmaking. Even if I weren’t covering this film for Action-a-Go-Go, nothing keeps me away from this truly special opportunity.

the exorcist TCM Film Festival 2018

9:30pm – The Exorcist (1973) – TCL Chinese Theatre

Prepare to raise your first to the heavens and shake it angrily. During this time slot you, dear 2018 TCM Film Festival goer, must choose between five amazing films. This is the cluster#&$% about which I spoke above. The Exorcist, Leave Her to Heaven, Romeo & Juliet, Point Blank or Will Success Spoil Rock Hunter?

Godspeed.

Luckily the midnight choice is easy… since there’s only one film playing.

world's greatest sinner tcm film festival 2018

12:00am – The World’s Greatest Sinner (1962) – Multiplex 6

I don’t know anything about this, but that doesn’t matter. Catch that third wind and settle in for the midnight screenings. You may regret all of your decisions in the morning, but when you’ll look back fondly on those bleary-eyed evenings spent with other like-minded hooligans.

 

Saturday

TCM Film Festival 2018 Saturday

In my opinion, this is the weakest day of the 2018 TCM Film Festival.

Fun Fact: Plenty of people will disagree with me because everyone approaches this thing from a different angle.

2018 TCM Film Festival ox-bow incident

9:00am – Ox-Bow Incident (1943) – Egyptian

I love both His Girl Friday and Kiss Me Deadly; I own them both on Criterion Blu-ray. I haven’t seen the other three offerings, and TCM calls them all “Essentials.” I am Cinema Shamed. Now of the three, I’m least jazzed about Love Finds Andy Hardy and that’s the one shown on 35mm. I’m not remotely familiar with A Letter to Three Wives. A stiff breeze could make this decision for me.

2018 TCM Film Festival bullitt

11:45am – Bullitt (1968) – TCL Chinese Theatre

I’m all in for Bullitt (with Jacqueline Bisset) on the biggest screen of them all. I might be more unhappy about the options I’m not watching if I stopped for a minute to consider them — Ida Lupina’s Outrage (1950) on 35mm, This Thing Called Love (1940) introduced by Ileana Douglas, and the goddamn kicker, Jean-Pierre Melville’s When You Read this Letter (1953). Melville’s one of my all-time favorite directors (he could make a case for my favorite) and this is a film of his I haven’t seen — in fact, it’s not even available on DVD in North America. ENOUGH. I HAVE TO SEE BULLITT. THAT’S IT. JAY IS GETTING UPSET.

2018 TCM Film Festival tom sawyer

2:00pm – The Adventures of Tom Sawyer (1938) – Multiplex 4

This is going to be tight. Bullitt will let out right about 2pm. Between Wife vs. Secretary and this one, Sawyer‘s the closest in proximity to the Chinese Theatre. I could take a leisurely break and wait for Sunset Boulevard at 3:00pm —  but I’ve seen it a few times. And it’s DCP. And I’d rather opt for the unseen pre-code…

2018 TCM Film Festival girls about town

4:30pm – Girls About Town (1931) – Egyptian

Directed by George Cukor, starring Kay Francis and based on the Hollywood exploits of Tallulah Bankhead? I’ve never heard of this film, but it’s got the making of the sleeper hit of my festival.

2018 TCM Film Festival show people

7:00pm – Show People (1928) – Egyptian

The gap between Girls About Town and Show People gives me the opportunity for a real meal. If I tackle Heaven Can Wait, it’s another rush and grab job — though Heaven‘s a movie I’ve always intended to watch and it would make a really solid Cinema Shame entry post-festival… and this all assumes I’m going to overlook The World of Suzie Wong with Nancy Kwan and Sam Fuller’s Park Row with John Sayles introducing. This is a sneaky block of difficult decisions.

#ProTip: Sometimes there are no wrong decisions.

2018 TCM Film Festival scarface

9:45pm – Scarface (1932) – Multiplex 6

After a day of rigorous indecision, TCM rewards me with an evening of no-brainers. John Carpenter will introduce Howard Hawks’ classic Scarface. It’s widely known that The Master of Horror is a huge Howard Hawks fan so this should be a treat.

In case you’re not a Carpenter fanboy, the other options are also quite exceptional. Hitchock’s Spellbound on Nitrate. Gigi introduced by Oscar-nominated costume designer Mark Bridges. The Raven with Sara Karloff (Boris’ daughter) introducing. And, finally, here’s the biggest curiosity of the festival — at least for me. My beloved The Big Lebowski at the TCL Chinese Theatre. Now. Here’s the question. If TCM has decided to play a film from 1998 in the Chinese Theatre (and not in the Multiplex), there’s a goddamn good reason beyond it just being the film’s 20th anniversary. I have a suspicion that someone special will be in attendance and that someone won’t be announced until the start of the festival. Take from that what you will. (Last year Martin Scorcese introduced The Man Who Knew Too Much and that wasn’t announced until the day of.)

2018 TCM Film Festival night of the living dead

12:00am – The Night of the Living Dead (1968) – Multiplex 6

Introduced by Edgar Wright. Sleep isn’t that important. Sunday’s pretty much a half-day anyway. It’s perfectly fitting that we’re getting a zombie movie on the second night of the festival.

Fun fact: The above photo was snapped as 2017 TCM Film Festival attendees left Zardoz.

 

Sunday

2018 TCM Film Festival Sunday

 

Rise and shine, beauties. You’ll feel as hung over and any real hang over you’ve ever endured. Roll out of bed, get that last breakfast and get back to the grindstone.

2018 TCM Film Festival midsummer night's dream

9am – A Midsummer Night’s Dream (1935) – Multiplex 4

I’ve avoided this movie because A Midsummer Night’s Dream was one of my least favorite of Shakespeare’s plays. Having taken multiple semesters dedicated to The Bard in college, I’ve read my share; I’m not just comparing it to Macbeth and Hamlet. I could choose the 164-minute Once Upon a Time in the West because the movie’s currently on my Shame Statement for 2018 (as it was in 2017 and 2016 because I JUST NEVER WATCH IT) but I do actually believe I’ll at some point choose to watch OUATITW. I don’t feel the same about the former. If you’re looking for a recommendation here, I’ll sing the praises of Ronald Neame’s Tunes of Glory. 

2018 TCM Film Festival taking of pelham

12:30pm – The Taking of Pelham One Two Three (1974) – Egyptian

My last film of the 2018 TCM Film Festival will be a good one — and my final assignment from Action-a-Go-Go. Due to the flight schedule and my need to be a functional human on Monday, I have taken to departing Los Angeles in the afternoon in order to sleep in my own bed that night.

The reward of taking that one non-stop is a 5+ hour flight rather than 9 hours of total travel time including the layover. I did that twice. It was terrible.

I sacrifice my final two films. I’ll regret missing out on Ron Shelton introducing Bull Durham (what are they going to get Millie and Jimmy for their wedding gift?!?) and don’t even get me started about that final time slot. At least I won’t have to make that decision, I suppose. (For what it’s worth, I would have gone with Animal House because pretty much the entire cast plus John Landis is going to be there!)

After The Taking of Pelham, I’ll say my final goodbyes, so-longs, farewells, see-you-next-years and rush off to LAX. The conclusion is always so bittersweet, filled to the brim with cinema and sanity stretched wafer thin. At least we’ll always have the people we meet at the TCM Film Festival to help ease us back into the real world, because they’re all out there on Twitter or Facebook, perhaps just an email away.

Read my previews of past TCM Film Festivals for more info — I tried not to be too redundant!

2015 / 2016 / 2017

Also be sure to check out these 2018 TCM Film Festival previews and hot tips from other fellow festival attendees!

Chris Sturhann: TCMFF Survival Guide: The Revenge

Angela Petteys: My Choices for TCMFF 2018

Aurora at Aurora’s Gin Joint: Picks for #TCMFF 2018: To Be or Not To Be…

Kristen Lopez at Journeys In Classic Film: My TCM Classic Film Festival Must-Sees

Turner Classic Movies Film Festival Wishlist 2018: Thematics

Last week I brought up some “anniversary movies” that would make interesting offerings at the 2018 Turner Classic Movie Film Festival. I took the theme “Powerful Words: The Page Onscreen” into consideration. Some (Some Came Running) proved relevant, others (Danger: Diabolik) did not. Not everything can be a 100% thematic match.

Since this is merely a fun exercise in thinking about what might be, I decided to extend the thought process to come up with another short list that emphasized movies about writers and the writer’s life. This is the ultimate form of procrastination. With the TCMFF right around the corner, I’ve started to daydream about that schedule, which is surely coming… any… day… now…

(By the way, passes still remain for the 2018 Turner Classic Movie Film Festival. If you feel like a trip to Los Angeles in late April, hurry over to the TCM page and pick up a pass today. It’ll be your best purchase of the year.)

Mask of Dimitrios (Jean Negulesco, 1944)

Excellent and underseen noir directed by the prolific and talented Jean Negulesco. Peter Lorre stars as a Dutch mystery writer who becomes fascinated by the sordid story of a dead man that has washed up on a nearby beach.  Available via Warner Archive DVD, this movie might cause Double Harness-brand riots at the small Multiplex auditorium.

 

House by the River (Fritz Lang, 1950)

Falls under the category of movies I’ve had on my watchlist for a long time. Fritz Lang’s films always offer something of interest and this one has had a kind of rediscovery of late after a nice DVD presentation by Kino Lorber. A rich novelist kills his maid after she becomes inebriated and attempts to seduce him. The writer dumps the body in the river, shenanigans ensue. There’s a gloomy mansion, Victorian-era set decoration, murders, chiaroscuro and an avant-garde score by George Antheil. Sounds like something I’d prioritize at the TCMFF.

 

In a Lonely Place (Nicholas Ray, 1950)

Because I just watched this Nicholas Ray film and because it was one of the best things I watched in all of 2017, I think we should all have a chance to see this one the big screen. Humphrey Bogart plays a struggling screenwriter who may or may not have committed murder. Gloria Grahame supplies his alibi, but does she believe in his innocence? Beautifully shot and featuring two actors at the peak of their powers.

 

Contempt (Jean-Luc Godard, 1963)

This should become an entry on my personal Cinema Shame list. I’ve owned this Criterion DVD for as long as I can remember, and it still remains unopened. This just happens to fit our theme ever so perfectly. A genius playwright is lured to Hollywood to work on an adaption of The Odyssey by a “vulgur” producer played by Jack Palance. Plus Bridgitte Bardot. I tend to appreciate Godard when I get the opportunity to experience him in the cinema. Make it so.

 

The Shining (Stanley Kubrick, 1980)

As I was considering films about writers that I’ve never had the opportunity to see as the Cinema Gods intended, my mind went straight to Kubrick’s masterpiece. An opportunity to see this at the Egyptian or the Chinese Theater would be a dream come true.

 

Castle of Blood (Antonio Margheriti, Sergio Corbucci, 1964)

And finally my writer-themed midnight movie. Castle of Blood features a writer spending the night in a haunted, gothic cathedral on “All Souls Eve” in order to challenge the legitimacy of the stories of Edgar Allan Poe (which in this film are presented as non-fiction). An example of the European gothic-style of filmmaking, Margheriti’s film may not be very scary, but his innovative camerawork and use of score makes for a highly entertaining slice of horror cinema. A Barbara Steele classic that should play well among TCMFF attendees — if they give it a chance. It’s style over substance and pure cinema over scares.

 

Turner Classic Movies Film Festival Wishlist 2018: Anniversaries

I had some idle time in traffic this afternoon and my mind started to wander to the upcoming Turner Classic Movies Film Festival. TCMFF attendees get quite edgy the weeks before the final schedule release. To date we only know a handful of films — these can be found here. It’s a rock solid set of films, but nothing that sets my hair on fire. Not yet.

(By the way, passes still remain for the 2018 Turner Classic Movie Film Festival. If you feel like a trip to Los Angeles in late April, hurry over to the TCM page and pick up a pass today. It’ll be your best purchase of the year.)

tcmff 2018

Of those films I’m most excited to see my favorite Kurosawa, The Throne of Blood (1957), on a big screen and what I assume will be a 35mm print of The Taking of Pelham One Two Three (1974). The Set-Up (1949) also has some timely relevance because Raquel Stecher and I just discussed on a recent episode of Cinema Shame.

Still, I can’t help but consider the possibilities for what is yet to come. The theme for this year’s festival is Powerful Words: The Page Onscreen. We’re talking adaptations of famous works and writers. We’re talking movies about writers and landmark original screenplays. With that in mind, I let my brain ponder some potentials. What would I want to see with these parameters in mind?

Keep in mind I know absolutely nothing. Anything I guess here will likely not come true and anything I guess correctly will obviously be the product of true genius.

I’ll begin my frivolous exercise by considering big anniversaries. Which films do we have a monumental reason to celebrate? What are some films I’d like to see for the first time at TCMFF this year? Maybe some that just deserve a big screen?  Here’s my picks for an Anniversary-oriented Turner Classic Movies Film Festival Wishlist for 2018. 

 

some came running

Some Came Running (Vincente Minnelli, 1958)

Frank Sinatra plays a drunk novelist in this drama also starring Dean Martin and Shirley MacLaine. Not only was this Sinatra’s first film with Dino, Shirley MacLaine earned her first Academy Award nomination. Shirley has attended prior Turner Classic Movie Film Festivals, why not another? I’ve been on a Vincente Minnelli kick lately, so I figure I should scratch this off the list, too.

 

the long hot summer tcmff

The Long, Hot Summer (Martin Ritt, 1958)

Steamy Paul Newman and Joanne Woodward melodrama based on the short stories of William Faulkner. All that plus Orson Welles, not a bad scribe in his own right. Prior festival attendee Angela Lansbury. Lee Remick. The film re-established Ritt’s career after the Blacklist and fast-tracked Newman’s career. The title came from William Shakespeare’s Hamlet and some of the characters were inspired by Tennessee Williams’ Cat on a Hot Tin Roof. Authorial pedigree, you guys.

 

swimmer tcmff

The Swimmer (Frank Perry, Sydney Pollack, 1968)

Frank Perry’s excellent David & Lisa (1962) screened at last year’s festival. The Academy gave Perry a director nomination and his wife Eleanor Perry a screenplay nod for this film based on a short story by John Cheever. The Swimmer has received a bit of notoriety after a deserved rediscovery upon the release of the Grindhouse Blu-ray. I’m sure festival patrons would be thrilled to “discover” this Burt Lancaster great for themselves. If we’re talking unique and original voices, this film surely fits the theme.

danger diabolik tcmff

Danger: Diabolik (Mario Bava, 1968)

If I could make one festival request, I would wish this upon everyone as a midnight screening. Not that it wouldn’t play well at any other time, but a midnight screening of Danger: Diabolik would tear the roof off of the Multiplex. I can’t make a connection to “Powerful Words,” except for the fact that it came from a series of Italian comics called Diabolik from  Angela and Luciana Giussani.

 

hooper tcmff

Hooper (Hal Needham, 1978)

Notable for it’s gonzo stunts. Plus Burt Reynolds, Adam West and Sally Field, and I must always hope for a Burt Reynolds film. This would go over really well with a jazzed-up classic film crowd. Fits into the writing category ironically. No writers were needed for the making of this film — yet four are listed in the credits. Maybe Peter Bogdanovich could attend to discuss the Roger Deal character — who was apparently intended as a Bogdanovich spoof.

All that said, what do I know? And per usual, the best and most exciting films at the Turner Classic Movies Film Festival are the ones I didn’t know I wanted to see in the first place. I look forward to what TCM has in store for us… but I really wish they’d take the Danger: Diabolik request into consideration.

Please.

Cue Morricone’s opening theme:

3rd Time’s a Charm – My 2017 TCM Film Festival Preview

2017 TCM Film Festival preview ScheduleOn my 2016 Turner Classic Movie Film Festival preview post, I showcased a picture of my tentative schedule. It featured more irregular and irrational lines than the roadmap to China I drew up when I was six years old. This year I’m older. It’s my third festival and therefore I must be wiser. That’s the logic. I’m not sure logic holds with reference to these 2017 TCM Film Festival previews, however. It is, after all a four-day film festival. Movies scheduled from 9:00am until 2:00am. While scurrying between theaters and queue lines you have just enough to scavenge for sustenance. This means a Baja Fresh burrito and/or a bag of popcorn.

Pro tip: Buy a large popcorn so you can carry it around with you for days! Offer it to friends! 

The uninitiated are reading this with more than a small amount of skepticism. Burritos? Popcorn? When do you sleep? Wait. Do you sleep? If you’re thinking this sounds #amazeballs and you haven’t been to the TCM Film Festival, you owe it to yourself to set aside time one of these years to make the trip happen. The only thing you might regret is catching the bug thereby requiring a trip every year. Because it’s not just the movies. It’s the people you meet. The conversations you have. These are not ordinary people. These are movie people. They are your people.

For my 2017 TCM Film Festival preview, I attacked the printout with far more reserve. Just a green highlighter, a green pen and a whole lot of indecision.

Fun fact: I took all my notes in college with green pens.  

Previewing trips to the Turner Classic Movie Film Festival is the epitome of solipsism. This is what I’m doing with four days of my life and you probably can’t join me! Fun! Yet it’s an honored attendee/blogger (in this case bl-gger) tradition. What’s the reason for this phenomenon? First, it’s a fun way to share your schedule with fellow attendees. We’ll earmark screenings and plan a quick meet up beforehand — it’s also a handy way to see who might save you a seat at a buzzy event. Second, and this is probably the important part, we like to share our passion with those that won’t be in attendance. Maybe it’ll provide the necessary kick in the ass to plan for next year.


Three Quick Impressions of the 2017 Festival Schedule

 

The TCM Film Festival boasts the equivalent of the Sedgewick Hotel’s 12th Floor. At best it’s merely a minor disturbance. At worst it’s Thunderdome. It’s called Chinese Multiplex House 4. Traditionally, TCM has shown many pre-codes and rarities in the smallish Theater 4. The 2016 Fest will linger in memory as “the Double Harness Festival,” referencing the twice sold out screening for an average William Powell pre-code comedy.

This year, it seems that TCM has learned from their repeat mistakes. Finally recognizing that most attendees gravitate toward these harder-to-find rarities, they’ve moved many of them to the much larger Egyptian Theater. As a result I’ve only noted a few films that will lure me back to the Theater 4 Thunderdome. While I’m relieved TCM has taken steps to ameliorate the Theater 4 crush, I’m going to miss the war stories and battle scars.

Fun fact: I was one of the select few that witnessed the very first Double Harness screening at the 2016 fest. I’m in the process of stitching my own merit badge.

There isn’t one screening at the 2017 TCM Film Festival that I’ll fight you to see. 2015 had George Lazenby introducing On Her Majesty’s Secret Service. 2016 had Elliott Gould introducing The Long Goodbye and Angela Lansbury introducing Manchurian Candidate. Sure, I’m jazzed about Peter Bogdanovich (more about this in a minute) and Michael Douglas and The Jerk, but I also didn’t plan my entire day around any individual screening. This year I’m charting my course through the movies offered on film.

 

Despite one screening not ruling my festival, I’m faced with no fewer of those “Sophie’s Choice” scenarios where I’m staring down three, four or even five (!) movies I want to see that are all playing at the same time. Look no further than the Friday night conundrum.

Pro tip: Eliminate potential conflicts by watching widely available and tempting movies at home before the festival.

All that said…

My 2017 Turner Classic Movie Film Festival Preview

2017 TCM Film Festival preview image


 

The non-stop from Pittsburgh arrives slightly later than in past years, so I won’t be able to participate in the “Remembering Robert Osborne” session at 12:30, but I’ll be there in spirit. I’ll also miss out on my 2pm power nap, which could have dire consequences. My filmgoing schedule meanwhile won’t begin until 6pm. While the big spenders dance the night away with Sidney Poitier and the 50th Anniversary of In the Heat of the Night, I’ll begin my evening at the Egyptian… with one of those movies that probably would have played at the Chinese Multiplex 4 in past years.

2017 TCM Film Festival preview Joker

This year’s theme is “Comedy” — I hear TCM’s awarding a special prize for the attendee who’s face most resembles The Joker by the end of the festival. The 2017 TCM Film Festival preview proper begins now.

 

Thursday, April 6thlove crazy 2017 TCM Film Festival preview

6:00pm – Love Crazy – Egyptian Theater

Not the best of the Powell/Loy collaborations, but Dana Delany’s been chosen for introduction duties. I don’t really need to see Some Like It Hot again. Jezebel, William Wyler’s 1938 “fearless feminine” picture, holds some sway as something I’ve never seen… but even a lesser William Powell and Myrna Loy lark is a lark worth revisiting.

Fun fact: Dana Delany in China Beach, you guys.

 

the man who knew too much 2017 TCM Film Festival preview

9:30pm – The Man Who Knew Too Much – Egyptian Theater

Here’s a tough one. I’ve seen The Man Who Knew Too Much. Quite a few times. I even just picked up the Criterion Blu-ray at the last Barnes and Noble sale. But it’s shown on Nitrate film stock — a rare treat. Meanwhile at the Chinese Multiplex, Harold and Maude, Requiem for a Heavyweight and I’m All Right Jack battle it out for supremacy. Of all of the films in this slot, I’ve only not seen Requiem for a Heavyweight. The “Czar of Noir” Eddie Muller introduces, and that might be enough to cause a last-minute disruption in plans.


 

Friday, April 7th

 

The first full day begins. So do the tough decisions.

 

rafter romance 2017 TCM Film Festival preview

9:00am – Rafter Romance – Egyptian Theater

The Ginger Rogers 1933 romantic comedy is being presented in 35mm and introduced by Leonard Maltin, which gives it the edge over the “Beyond the Mouse” presentation. I’d still love to see the shorts from early Disney animator Ub Iwerks on the big screen, but I own most of these through the numerous Disney collections that have been released. Even though I own three different articles of clothing featuring Oswald the Lucky Rabbit, I’ll defer to Ginger on film, which sounds a little bit like a pornography. Bonus points.

The funny thing about this festival and this time slot in particular is that The Maltese Falcon is being shown in Multiplex 1, and I didn’t even circle it as a possibility. Films achieve higher priority by excelling in the following three categories: 1. Unseen; 2. Film; 3. Special presenter/presentation. If you meet all three criteria, that’s a must see event.

The necessary exclusion that drives me crazy is It’s a Mad Mad Mad Mad World at the Cinerama Dome. My trip to see Holiday in Spain in Smell-o-vision at the Dome last year unexpectedly became my favorite experience at the festival. Seeing IaMMMMW in Cinerama would be something special, but it would sacrifice two time slots… and I’d really like to see…

 

beat the devil 2017 TCM Film Festival preview

11:15am – Beat the Devil – Chinese Multiplex 6

John Huston’s crime spoof has regretfully eluded my eyes for years. I once began watching a DVD of Beat the Devil but the print quality was so poor I couldn’t continue. Bogart and Lorre. Script by Truman Capote. I’ll gladly take this opportunity to scratch another film off my Cinema Shame list. This comes at the expense of the Lubitsch musical One Hour With You and Born Yesterday, both of which I’ve seen. Not recently and not on the big screen, of course. Temptation remains.

Fun fact: This will be the first TCMFF at which I’ve not seen a Lubitsch musical starring Maurice Chevalier.

 

monkey business 2017 TCM Film Festival preview

2:00pm – Monkey Business – Egyptian Theater

Panique looks interesting over in Multiplex 6, but this is out of my hands. Dick Cavett’s introducing a Marx Brothers favorite and I’m going to be there. This renders other options null. Apologies also to Rob Reiner and The Princess Bride, which I’m sure would be a blast on the big screen, especially with this audience.

 

so this is paris 2017 TCM Film Festival preview

4:30pm – So This is Paris – Egyptian Theater

I’ll just go ahead and start paying rent at the Egyptian. I atone for not seeing the other Lubitsch with the silent rarity So This is Paris on 35mm. Sure, I could go see old familiars The Bridge on the River Kwai introduced by Alex Trebek (?) or Broadcast News with James L. Brooks in attendance. I could also partake of W.C. Fields in Never Give a Sucker an Even Break. But I return to the three checkboxes presented above. So This is Paris checks off all requirements. Unseen. 35mm. Live piano accompaniment.

The brevity of So This is Paris will allow me plenty of time to head out into the evening air and return immediately to the Egyptian for…

Pro tip: There’s a very nice breakfast place on the street perpendicular to the Egyptian. Decent coffee. Egg sandwiches to go.

 

red-headed woman 2017 TCM Film Festival preview

7:00pm – Red-Headed Woman – Egyptian Theater

This isn’t my favorite Harlowe, but it’s a 35mm presentation. I could be persuaded to venture back to the Multiplex for a change of scenery and “The Great Nickelodeon Show” which will recreate the Nickelodeon experience of early 20th century. The Vitaphone and hand-cranked silent presentations of past years rekindled that juicy film school nostalgia.

 

high anxiety 2017 TCM Film Festival preview

9:15pm – High Anxiety – TCL Chinese Theater

So. This slot takes no prisoners. I would love to be five places at once. Over at the Egyptian, viewers will be treated to Laura on Nitrate film stock. Howard Hawks’ first sound comedy, Twentieth Century at Multiplex 1. Cat People in 35mm at Multiplex 4. And then there’s Those Redheads from Seattle in 3D at Multiplex 6.

It’s. Not. Fair. But it’s the best kind of not fair.

Fun fact: Festival attendees love to complain about their conflicts, but goddammit they thrive on these decisions.

How much do I love thee, Mel Brooks? A lot. Mel Brooks introduces his Hitchcock spoof and I wouldn’t be anywhere else.

 

zardoz 2017 TCM Film Festival preview

12:00am – Zardoz – Chinese Multiplex 1

Sean Connery. In a red banana hammock. At midnight. Be there.

Even though we just live tweeted this on #Bond_age_ not too long ago, there’s nothing like a live audience for the insanity that is Zardoz.

 


Saturday, April 8th

You’d rather be hungover than get up at 7:45am to get in line for your first movie of the morning, but it only gets worse on Sunday morning so suck it up, shower off the Zardoz and get back in the game.

 

china syndrome 2017 TCM Film Festival preview

9:00am – The China Syndrome – Chinese Multiplex 1

I’ll go for Michael Douglas who’ll be there in person. But I’ll have a They Live-style fisticuffs with myself over not seeing Arsenic and Old Lace in 35mm next door at the Multiplex 4. Meanwhile Alex Trebek is over introducing Stalag 17 for some reason. This festival is full of surprises.

 

david and lisa 2017 TCM Film Festival preview

12:00pm – David and Lisa – Chinese Multiplex 4

My first trip to the Thunderdome takes place on Day 3. I won’t even need to put up a fight. Lame. This is another brutal time slot, however. The Awful Truth, Rear Window, The Great Dictator and The Last Picture Show with Peter Bogdanovich in attendance all happen concurrently. That’s four amazing films… and then the one I’m seeing. David and Lisa is in fact the only one I haven’t seen. It’s on 35mm with star Keir Dullea in the house. I might shift gears and see Peter Bogdanovich because I’ll miss out on his chat before What’s Up Doc? on Sunday. The problem with The Last Picture Show is timing. David and Lisa gets out much earlier, which allows me to head over to the TCL Chinese Theater to get a good seat for…

 

the jerk 2017 TCM Film Festival preview

2:45pm – The Jerk – TCL Chinese Theater

So I’ve seen The Jerk a few times. Seeing The Jerk on the big screen prefaced with a Carl Reiner chat might by my special purpose of the festival. I saw Reiner and Dead Men Don’t Wear Plaid last year, but Carl Reiner chats are the best kind of chats, full of wisdom, humor and optimism. I’ll gladly double dip.

 

theodora goes wild 2017 TCM Film Festival preview

6:30pm – Theodora Goes Wild or King of Hearts – Egyptian / Multiplex 6

Toss up. An unseen Irene Dunn screwball in 35mm or Genevieve Bujold in an unseen anti-war comedy. I’ll do some research on home video availability and watch one of these (if possible) before the festival to alleviate any lingering doubts about my choice here. Stay tuned for updates.

Fun fact: I know you will.

 

black narcissus 2017 TCM Film Festival preview

9:30pm – Black Narcissus – Egyptian Theater

Scratch another Shame off the list. I’ve long meant to watch Black Narcissus. On Nitrate stock in the grand Egyptian? Doesn’t get much better for a first time viewing. This comes at the expense of personal favorite Top Secret! introduced by the Zucker brothers and the unseen The Incident introduced by Martin Sheen. Also worth noting here is that I didn’t even consider The Graduate or Unfaithfully Yours. I’ll resort to the “I have those on Criterion DVD” defense.

kentucky fried movie 2017 TCM Film Festival preview

12:00am – The Kentucky Fried Movie – Chinese Multiplex 1

And here’s the reason I’m okay with missing Top Secret! Not only do I get the Zuckers and Jim Abrahams, but also John Landis chatting before a screening of the legendary Kentucky Fried Movie. The crowd will be locked and loaded for this one. John Landis!!

Fun fact: I love John Landis.


Sunday, April 9th

If getting up on Saturday morning is a hangover, getting up on Sunday morning is the equivalent of jumping in front of a moving truck on Hollywood Boulevard. Daylight is your punishment. Mind over sleep deprivation.

Pro tip: Hydrate whenever possible. It’s too easy to forget. Especially when you’re loading up on salty food throughout the day. Upon arriving, pick up a few big bottles of water. Keep them with you.

My abbreviated final day. I must depart the festival a touch early to return home, to return to daily life and function as a real, live human on Monday morning. The only way to do that is a mid-afternoon non-stop. The past two years I’ve taken the midnight red-eye. A regular red-eye is brutal. A sleep-deprived red-eye is banned by the Geneva Convention.

cock of the air 2017 TCM Film Festival preview

9:00am – Cock of the Air – Chinese Multiplex 6

If there’s a Double Harness of the 2017 TCMFF it’s this little pre-code Howard Hughes ditty. Originally censored by the Hayes Office, the original cut of the print was thought lost. Until 2007 — when it was found, except without the soundtrack. The original cut has been restored using voice actors and new sound effects and music. I’ll be in line early to make sure I get prime real estate.

Pro tip: You know the old saying… the early bird gets to see Cock of the Air.

lured 2017 TCM Film Festival preview

11:15am – Lured – Chinese Multiplex 6

My final screening of the festival before departure. Also not a comedy. Film noir-esque drama directed by Douglas Sirk and starring Lucille Ball, George Sanders and Boris Karloff (?!?). I know nothing about this movie, but the creative minds involved requires a viewing. I have no problem sacrificing The Front Page for this one because, say it with me, “Criterion DVD.” Technically, it’s just a bonus on the recently-released His Girl Friday Blu-ray.

I’m not especially happy about missing Peter Bogdanovich and What’s Up Doc? Sunday afternoon, but thems the breaks. The reward for leaving mid-afternoon is a non-stop flight and my own bed instead of a 90-minute layover in San Francisco followed still by the upright seat of a cramped airliner for 5+ hours. This will also result in a far happier wife who gets to return to her regularly scheduled Monday activities rather than worrying herself with my ability to function in the real world. She takes days off work to permit me this brief dalliance.

I look forward to seeing the old familiar TCM Festival faces and sharing all that movie talk and queue standing. I’m still lobbying for built in cocktail hours and a full bar in the Multiplex.

 

2016 TCM Film Festival Post-Mortem

I used this image as a lead-in to my 2015 TCMFF Post-Mortem, and I’ve got to be honest, there’s really no better way to summarize the experience. So here it is again, primed and ready for my recap of the 2016 TCM Film Festival:

TCM Film Festival

Last year I also arrived at the airport for my midnight flight home with time to spare. Enough time, in fact, to eat some ill-advised Korean barbecue and write a rather inspired email to my family about the experience. I’d planned to do the same this year (minus the Korean barbecue), except I found myself hornswaggled by the LAX TSA Security Check. One of the security agents kept yelling at us like high school delinquents in a heavy-handed teen drama. “I’m here to help you,” he caterwauled, “If you guys don’t start listening and don’t want to be helped we’ll be here all night! I’ve got nowhere else to be. You do!” He must have said this a dozen times as I waited in the winding, interminable queue. I sought solace in my Twitter feed, many of whom remained at the closing festivities.

 

By the time I reached the gate, I didn’t even have enough time for a much needed libation at the bar, let alone a heartfelt composition on my phone notepad. Just as my flight began to board, I hastily grabbed a bottle of water and a bag of Peanut M&Ms from a woman of the finest brand of occupational disinterest. She reluctantly accepted my $5 bill (she wasn’t “supposed to,” you see) like she were doing me a favor. Apparently cash is preferred currency… except in the Delta terminal at LAX.

I tried channeling that weary, loopy state of mind yesterday as I assimilated to everyday life, but sleep deprivation (something less than 10 hours in three nights) had firmly taken hold. No longer was I loopy; I was walking dead. Instead of writing, I unpacked, went for a short run, consumed a large green smoothie called the “Turmeric Cleanser” (which I recommend highly for gastrointestinal recovery after mass popcorn and Baja Fresh consumption) and managed a 90-minute nap before running my daughter over to gymnastics. (I also have a recommended smoothie for immune boosting that I drank every day before departure. They come from this book, which I treat like a bible… but I digress.)

Still, let’s give that letter a shot, now 36 hours removed from my final screening at the 2016 TCM Film Festival. Hopefully, the unsheathed nerve of sleepless delirium and festering emotion remains raw. Unless you want to talk more about my daily green smoothie regimen.

No?

Okay. Back to the movie thing.

tcmff ticket 2016 TCM Film Festival

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