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Music Vinyl

Record Store Day 2014 Wishlist by @demangone

Most Wanted Record Store Day 2014 Releases

by DJ Demangone (@demangone)

(In my mind DJ is the antidisestablishmentarian of musical appreciation. I have no idea how that applies to music but it just sound right. His picks are typically off most radars, but they should be on yours.)

Gonga – Black Sabbeth

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I first heard of Gonga from an Aquarius Records description, where they were compared to the Melvins. I get more of a Kyuss vibe from them, which is never a bad thing. Anyway, Gonga covers Black Sabbath’s titular song with Beth Gibbons from Portishead on vocals, hence the misspelling of the name. There’s not much more to say. The Cardigans have covered Sabbath and I liked it. I’ve got high hopes for this one.

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Cave In – Jupiter

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My list includes a lot of stuff that I already own, mostly on other formats. I already have a copy of this on vinyl and cd, but one of the issues with the album has always been the mix – the bass is buried. The good news is that it’s been remixed by James Plotkin of Phantomsmasher, Khanate, and OLD fame. The story of this albums is essentially “a teenaged metal band from Boston matured a bit and released some Floyd homage”, I still like this thing a lot.

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Sacrifice Poles – s/t

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The brother from another mother, essentially outtake jams from the Jupiter recording sessions, Sacrifice Poles is Cave In sans vocals. I remember listening to this album a lot as a freshman in college in the darkroom. As with Jupiter, this guy will also be getting remastered by Plotkin. It’s also the first time that it will be available on vinyl. Of the records I’m looking for, this is the one I’ll probably have to end up finding online.

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Pantera/Poison Idea – The Badge

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Pantera covered this Poison Idea song for the Crow Soundtrack. They did a great job with an already great song. It can’t hurt to own both versions on one record, right?

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Charlotte Gainsbourg – Hey Joe

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I like Charlotte Gainsbourg, I like Beck, I like the song Hey Joe, and I like Sebastien. Hard to go wrong with this, except that it’s $13 for a 7” – which is just dumb.

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Music Vinyl

Record Store Day 2014 Wishlist by @NoisyHeart88

Most Wanted Record Store Day 2014 Releases

by Rachel Fox (@NoisyHeart88)

 

1. Dawes/Conor Oberst Split 7″

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I like to own anything by my favorite band Dawes and this should be a very cool release with each act covering the other. I’m not actually familiar with the Conor song Dawes is doing, but Conor covering “Million Dollar Bill” should be very interesting. Plus it’s a fun precursor to the upcoming collaborative tour.

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2. Deer Tick- Eel Bowel 7″

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I loved the first b-side released from the Negativity recording sessions as much as anything on the album, so I’m psyched to hear some more songs from that time.

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3. The Civil Wars- Live at Eddie’s Attic 12″

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Sadly this may be the last release from the now disbanded duo. It’s not new music (the album has been available as a free download in the past), but live shows are where this group shined and this will be a nice piece to own.
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4. Conor Oberst- Hundreds of Ways/Fast Friends 7″

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The second appearance from Conor on my list is a 7″ with two new songs in advance of his upcoming solo effort. Hundreds of Ways was released as the first single of sorts from the album, but Fast Friends appears to be a b-side, so this will be worth owning for fans.

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5. The Wild Feathers- Got It Wrong/Marie 7″

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This band’s debut album has become a recent favorite and I think Got It Wrong is one of the stand out tracks. Marie is a previously unreleased track.

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Also hoping to grab: Kings of Leon- “Wait For Me” 7″, Phosphorescent- “Song for Zula” 12″, and Johnny Cash- With His Hot and Blue Guitar 12″.
Categories
Live Music Music

Cloud Cult @ Mr. Smalls 4/13

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Cloud Cult might just be the real world equivalent of Wyld Stallyns. And even if aren’t, I’m comforted in knowing that there’s a band out there making music that thinks that music is going to one day save the world.

Frontman Craig Minowa takes his shit seriously. No addressing the crowd except to acknowledge them briefly before each of their sets. I should start at the beginning — Cloud Cult played two sets with no opener. They began with an all-acoustic set followed by the electric set, and, pardon my regurgitation, but both were electric. Without seeing Cloud Cult it’s nary impossible to impress how much they rawk. I use that term completely without irony. And I just wasn’t prepared. Cloud Cult songs may not adhere to a strict pattern, but trends certainly emerge. Slow build with synth and/or strings, followed by furious percussion (good lord can Arlen Peiffer beat a drum) and finally a crescendo of rawk – guitar, brass and emotional, earnest lyrics spewed at maximum feel.

If Cloud Cult is coming to a city near you (I’m looking at you Concord, Boston, New York, Philadephia, Washington D.C., Vancouver, Seattle and Portland) buy a ticket.

And if you’re unfamiliar with the band, here’s the Cloud Cult song that made my Top 100 of 2013 last year.