Thirty Hertz Rumble

A bl-g about movies, music and nostalgia by James David Patrick

Category: 30Hz Recommended (Page 4 of 8)

30Hz Top 25 Albums of 2013

I never get to experience the broadest variety of music. There are only so many hours in the day. I don’t dabble as much as I’d like. 2013 in particular saw me stick pretty close to my favorite genres, micro-genres and retro-notions. And I have to say that for similar minded fans of music, 2013 was a very good year.

The comeback had been festering, just beneath the surface, for a number of years now, but 2013 may finally have brought about a pop music renaissance. I’m not talking about Top 40 – the days that permitted consistently “good” music on the Top 40 charts have long since disappeared. The term “pop music” doesn’t need to be derogatory – it should imply a level of accessibility, not the derivative and over-produced slush we’ve come to associate with the term. The new wave has been inspired by the deep wellspring of 1980’s pop sensibilities. Hall & Oates. Fleetwood Mac and Stevie Nicks. Tears for Fears. The Pet Shop Boys. New Order. Bands that crafted killer jams. Lyrics. A catchy hook. A solid beat.

When I think back to my favorite bands and tracks of 2013 the list is dominated by bands who sought inspiration from the pop music of their youth. 2013 was the year that put craftsmanship back into pop music. In most circles the bands still fall under the indie umbrella, but that term lost most of its luster long ago. It’s been distilled to dozens upon dozens of micro-genres. Indie isn’t so much a style of music as it is an identity. You either listen to “indie” or “Top 40,” but ever so slowly the gap between the two seems to be lessening. So-called indie bands are winning Grammies, topping sales charts and pulling requests on FM radio.

The 30Hz Top 25 Albums of 2013

Top 25 Records of 2013

The Almost Rans:

Parquet Courts – Light Up Gold, Arcade Fire – Reflektor, Blood Orange – Cupid Deluxe, Danny Michel with The Garifuna Collective – Black Birds are Dancing Over Me, Depeche Mode – Delta Machine, Disclosure – Settle, Grey Reverend – A Hero’s Lie, Grouper – The Man Who Died in His Boat, Laura Marling – Once I Was An Eagle, Local Natives – Hummingbird, Mount Kimbie – Cold Spring Fault Less Youth, We/Or/Me – The Walking Hour

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30Hz Recommended: Forest Swords

It’s been awhile since I dished out a new music recommendation but this guy has forced my hand. I loved this record from the first listen, but my esteem has only grown for this debut LP from the Liverpool-based producer/artist Matthew Barnes. I had this record on during a workout the other day– I know, not exactly workout tunes but I couldn’t help myself — and I had to stop what I was doing to listen. How many records do you hear each year that force you to stop… and just get lost in the music? One? Maybe two?

Listen to the Forest Swords LP Engravings and you might just add another to that short list. It’s creeping, lush orchestration with accumulating layers of guitar, low-key loops and simple beats. It’s difficult to shoehorn into any particular micro-genre because just when you feel like you can pin down Barnes’ sound he shifts into something new. It’s glorious. Push play. Now.

Here’s Forest Swords: “Thor’s Stone”

Forest Swords – Thor’s Stone from Louis Legge on Vimeo.

Don’t look now but I also just happened to agree with heartily with a Pitchfork album review. *Gasp* Don’t get too used to the idea. I’m sure I’ll throw up some tirade about their obtuse writing style or championing of atonal noise any day now. Just give me the word, Pitchfork.

Danny Michel with the Garifuna Collective: 30Hz Recommended

Danny Michel with the Garifuna Collective

Danny Michel with the Garifuna Colletive

It’s been a few months since I was last blown away by a new record. There have been some great records, don’t get me wrong, but nothing really sent me scurrying to the bl-g to scream names from my squatty soapbox of musical superiority. Well, I’m back with a new recommendation and it did indeed send me scurrying for the soapbox. While it’s not Paul Simon’s Graceland, the fact that I’m mentioning this record in the same sentence says just about as much as I need about it’s musical pedigree. Belize’s The Garifuna Collective — of the much-heralded Andy Palacio & the Garifuna Collective’s 2007 record Wátina — marched on after the untimely passing of their frontman. Now they’ve teamed with Canadian singer-songwriter Danny Michel (someone I’d never heard before) to create this masterpiece of World Music, albeit World Music grounded in time and space by Michel’s acoustic rhythms. The result is pure reflection, simultaneously joyous and heartbreaking. Listen to the full album from Danny Michel with the Garifuna Collective: Black Birds are Dancing Over Me.

The Easy-Purchase Bye Bye Money Link: Buy Danny Michel with the Garifuna Collective Black Birds Are Dancing Over Me at Amazon.

Top 10 Records of 2013… so far.

I’d like to call bullshit on half of 2013 already being over, but the calendar says July 8th and since I have a complete inability to keep track of days, months, years, and whatnot, I’m going to have to believe what all of my electronics are preaching. The iPhone does not tell a lie, although Siri is a conniving little bitch…

If you’re looking for new music, I’m going to dispense some suggestions for 2013 Records of the Year (to date). If you haven’t heard these artists, first seek them out, give them a listen and then come back and berate me on any number of contestable faults such as (but not limited to) hipsterism, zeitgeisterism or prosaic assimilation to the alt-music institution. Without any more blabber, the 30Hz Top 10 Records of 2013 (to date).

10. Daughn Gibson – Me Moan

9. Run the Jewels – Run the Jewels

8. Jon Hopkins – Immunity

7. Daft Punk – Random Access Memories

6. James Blake – Overgrown

5. Tegan and Sara – Heartthrob

4. Autre Ne Veut – Anxiety

3. Savages – Silence Yourself

2. Vondelpark – Seabed

1. Vampire Weekend – Modern Vampires of the City

30Hz Recommended: Vondelpark

Last year I plugged POOLSIDE, a band with aspirations no greater than inspiring you to chill out and drink adult beverages next to a sterile body of water. The ocean, most likely. I definitely don’t see them advocating a stagnant pool or freshwater lake. This year, I’ve got another fantastic candidate for chill-the-fuck-out record of the year. I submit to you: VONDELPARK. Critics seem to call them dream pop, but that doesn’t really translate here. Vocals are whispy, synthy and minimal. Listen to this:

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