Category Archives: 31 Days of Horror 2017

The Initiation: 31 Days of Horror

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Owing to the fact that producers canned the original director because he was taking too long to film a cheap slasher film, The Initiation bears the burden of feeling both like a TV movie and an arty giallo. Unfortunately its far more of the former and less of the latter.

Mill of the Stone Women: 31 Days of Horror

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The haunting visages of the women create a prolonged, underlying sense of unease. The dead-eyes of dolls, the smoky complexions of burned or disfigured women. These images linger and fester just beneath the surface even when they’re not on screen. The psychological horror of Mill of the Stone Women isn’t easily put into words — but it is effective, often more so than the Hammer films which it is clearly emulating.¬†

The Velvet Vampire: 31 Days of Horror

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The non-existent narrative of The Velvet Vampire benefits the more European aspects of the production. The story provides the blank canvas for striking imagery and hypnotic dream sequences. Celeste Yarnall makes the most of this space and all but consummates her love affair with the entranced viewer. 

The Devil Doll: 31 Days of Horror

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Lavond’s plan is thus: Dress as an old woman who makes dolls. The She-Barrymore sends these little 1/6th doll people out to kill his enemies and ultimately clear his name. Of course once he clears his name, he’s got that whole weird crossdressing dollmaker thing to explain, but maybe we’ll cross that bridge when we come to it. Or maybe not.

Caltiki the Immortal Monster: 31 Days of Horror

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So I’m creeping off the starting gates in the 2017. One might suggest I’m creeping into this Cinema Shame/Hoop-Tober challenge like a slightly animated infinity scarf permeating a 1/10th scale model Italian chateau.